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| Foreword | 1 | |
| Introduction | 9 | |
| "Chicken" | 15 | |
| from "Solea of the Simooms" | 17 | |
| from "Dang Me" | 22 | |
| "Almost" | 26 | |
| "Your friend's arriving on the bus" | 28 | |
| "Wolf Ridge" | 31 | |
| "The Eye Like a Strange Ballon Mounts Toward Infinity" | 32 | |
| "20 Questions" | 34 | |
| "Sign Under Test" | 36 | |
| "Token Enabler" | 43 | |
| from "Blasted Fields of Clover Bring Harrowing and Regretful Sighs" | 45 | |
| "The Walk" | 46 | |
| "a cloud of dusk" | 48 | |
| "Gnosticism" | 49 | |
| "Landscape with a Calm" | 53 | |
| "The Centrifuge" | 55 | |
| "3-4-00" | 57 | |
| "Ode to My Flint and Boom Bolivia" | 59 | |
| "Bad Modernism" | 61 | |
| "You Art A Scholar, Horatio, Speak To It" | 63 | |
| "Prose of the World Order" | 66 | |
| "13" | 71 | |
| "All Souls'" | 73 | |
| "Draft 55: Quiptych" | 75 | |
| "short sorry" | 80 | |
| "Sibling Rivalry" | 82 | |
| "337,000, December, 2000" | 86 | |
| "Saints" | 90 | |
| "Anyway" | 92 | |
| "Nostalgia of the Infinite" | 94 | |
| from "Baby" | 95 | |
| "Poe: An Assay (I)" | 106 | |
| "For 'Fiddle-De-Dee'" | 108 | |
| "Catholic" | 110 | |
| "[Record]" | 123 | |
| from "Urban Renewal" | 125 | |
| "King of Repetition" | 126 | |
| "The Man" | 128 | |
| "To an Audience" | 134 | |
| "Ignis Fatuus" | 136 | |
| "The Dark Continent" | 138 | |
| "After Mahler" | 145 | |
| "Sound and Cerement" | 147 | |
| "Lateral Disregard" | 153 | |
| "Some Versions of Pastoral" | 154 | |
| "Mars Needs Terrorists" | 165 | |
| "8 Little Theatres of the Cornices" | 170 | |
| "The Last Time I Saw Chris" | 176 | |
| "No Rewriting" | 178 | |
| "State of the Union" | 184 | |
| "Blue Collar Holiday" | 186 | |
| "RSVP" | 187 | |
| "Real Toads" | 188 | |
| "Here 2" | 189 | |
| "Pleasure" | 193 | |
| "Samba" | 195 | |
| "In the First Circle of Limbo" | 197 | |
| "Ideas Gray Suits Bowler Hats Baal" | 198 | |
| "The 3D Matchmove Artist" | 200 | |
| "the story" | 202 | |
| "III" | 205 | |
| "Love Song" | 207 | |
| "A Burning Interior" | 210 | |
| "Compliance Engineering" | 221 | |
| "Song of the Ransom of the Dark" | 224 | |
| "They're Putting a New Door In" | 226 | |
| "Dog That I Am" | 228 | |
| "La Florida" | 229 | |
| "Acanthus" | 231 | |
| "Bounden Duty" | 233 | |
| "The Theorist Has No Samba!" | 235 | |
| "Meditatio Lectoris" | 237 | |
| "Appeal to the Grammarians" | 241 | |
| "Trying to Make Music" | 243 | |
| "In Praise of Han Shan" | 244 | |
| Contributors' Notes and Comments | 245 | |
| Magazines Where the Poems Were First Published | 273 | |
| Acknowledgments | 275 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Jay Jackson
reviewed The Best American Poetry 2004 on July 12, 2013
The Best American Poetry 2004
As a high school teacher, I use the Best American Poetry volumes as sources for contemporary poetry to share with students. Some yield more fruit than others, but generally I find four or five poems in each that I can use in class. From that perspective, this volume is a bust, having perhaps one poem I could see bringing to teens. This collection left me completely unmoved, and I think is a good example of why poetry has gone from a mass cultural devotion to an exclusive, mannered club.
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Add The Best American Poetry 2004, The Best American Poetry 2004 celebrates the vitality and richness of poetry in the United States and Canada today. Guest editor Lyn Hejinian, acclaimed for her own innovative writing, has chosen seventy-five important new poems and contributed a p, The Best American Poetry 2004 to the inventory that you are selling on WonderClubX
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Add The Best American Poetry 2004, The Best American Poetry 2004 celebrates the vitality and richness of poetry in the United States and Canada today. Guest editor Lyn Hejinian, acclaimed for her own innovative writing, has chosen seventy-five important new poems and contributed a p, The Best American Poetry 2004 to your collection on WonderClub |
