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Foreword | 9 | |
Introduction | 15 | |
Bored | 21 | |
Nocturnal | 23 | |
Mr. X | 25 | |
Schadenfreude | 27 | |
Sunday, Tarzan in His Hammock | 29 | |
The Woman Who Loved Things | 31 | |
The Battle Hymn of the Republic | 33 | |
Girl Writing a Letter | 35 | |
Terminus | 37 | |
The Infusion Room | 40 | |
Sestina | 43 | |
Thirty Years Rising | 45 | |
Film Noir: Train Trip Out of Metropolis | 48 | |
Sometimes I Get Distracted | 50 | |
Terminal Laughs | 51 | |
In the Clearing | 54 | |
The Printer's Error | 65 | |
For a Brother | 68 | |
Salutations to Fernando Pessoa | 69 | |
Another Day on the Pilgrimage | 71 | |
Asparagus | 75 | |
Undead White European Male | 77 | |
A Still Life, Symbolic of Lines | 80 | |
Being Pharaoh | 83 | |
Permissive Entry: A Sermon on Fame | 88 | |
If So | 91 | |
Days of 1992 | 93 | |
St. Peregrinus' Cancer | 96 | |
Prospects | 98 | |
Unearthly Voices | 99 | |
Against the Literal | 103 | |
Seventeen | 104 | |
Apocatastasis Foretold in the Shape of a Canvas of Smoke | 106 | |
All Wild Animals Were Once Called Deer | 108 | |
Sonogram | 113 | |
On a Line from Valery | 114 | |
1975 | 115 | |
Falling Water | 117 | |
Troubling the Water | 129 | |
Getting the Message | 132 | |
Bridget | 134 | |
My Night with Philip Larkin | 137 | |
Refuge | 138 | |
What You Find in the Woods | 141 | |
Fracture Santa Monica | 143 | |
My Mammogram | 145 | |
And What Do You Get | 149 | |
Exchange of Fire | 150 | |
Shooting for Line | 152 | |
The Interior Prisoner | 158 | |
Late Night Tete-a-Tete with a Moon in Transit | 164 | |
Have You Ever Faked an Orgasm? | 175 | |
Toys | 179 | |
Old Mama Saturday | 181 | |
How Light Is Spent | 183 | |
How Late Desire Looks | 185 | |
The Night Before His Parents' First Trip to Europe His Mother Writes a Letter 'To Our Children' | 187 | |
Outsider Art | 189 | |
The Age of Reason | 190 | |
Transit Authority | 192 | |
Threads | 194 | |
The Present Perfect | 197 | |
Avec Amour | 199 | |
Manufacturing | 204 | |
Brotherhood | 208 | |
Museum Piece | 210 | |
The Nursery | 212 | |
Scatter | 214 | |
The Nose, the Grand Canyon, and the Sixties | 217 | |
Walt Whitman Bathing | 219 | |
The Shape of History | 221 | |
San Joaquin Valley Poems: 1969 | 222 | |
Homage to Ryszard Kapuscinski | 225 | |
The Cradle Logic of Autumn | 229 | |
Blue Guide | 231 | |
Contributors' Notes and Comments | 239 | |
Magazines Where the Poems Were First Published | 283 | |
Acknowledgments | 286 | |
Cumulative Series Index | 290 |
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![]() Add The Best American Poetry 1995, The Best American Poetry 1995 once again highlights the dazzling spectrum of style and subject matter to be found in the art today. Guest editor Richard Howard's accent is on discovery and surprise, and he has gleaned the most inventive and searching writ, The Best American Poetry 1995 to the inventory that you are selling on WonderClubX
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![]() Add The Best American Poetry 1995, The Best American Poetry 1995 once again highlights the dazzling spectrum of style and subject matter to be found in the art today. Guest editor Richard Howard's accent is on discovery and surprise, and he has gleaned the most inventive and searching writ, The Best American Poetry 1995 to your collection on WonderClub |