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Acknowledgments | ||
Preface | ||
1 | Catholicism, Protestant reformations, and The two gentlemen of Verona | 1 |
2 | The hybrid reformations of Shakespeare's Second Henriad | 19 |
3 | Helena and the reformation problem of merit in All's well that ends well | 47 |
4 | Malvolio, Viola, and the question of instrumentality : defining providence in Twelfth night | 73 |
5 | Predestination and the heresy of merit in Othello | 97 |
Coda | 127 | |
Bibliography | 131 | |
Index | 143 |
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![]() Add Shakespeare's Religious Allusiveness: Its Play and Tolerance, Shakespeare's Religious Allusiveness complicates debates about whether Shakespeare's plays are fundamentally Protestant or Catholic in sympathy, challenging analyses that either find Protestant elements consistently undercutting Catholic motifs or, less o, Shakespeare's Religious Allusiveness: Its Play and Tolerance to the inventory that you are selling on WonderClubX
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![]() Add Shakespeare's Religious Allusiveness: Its Play and Tolerance, Shakespeare's Religious Allusiveness complicates debates about whether Shakespeare's plays are fundamentally Protestant or Catholic in sympathy, challenging analyses that either find Protestant elements consistently undercutting Catholic motifs or, less o, Shakespeare's Religious Allusiveness: Its Play and Tolerance to your collection on WonderClub |