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Acknowledgements | ||
1 | Uprooted and Re-routed: Actual and Imaginative Biographies of the Black Atlantic | 1 |
2 | 'I Had a Cork in My Ass and I Couldn't Go Down': Surviving the Middle Passage - A Counter-historical Reading of Oral Narratives of the Black Atlantic | 25 |
3 | 'Food for the Sharks': Constructions and Reconstructions of the Middle-Passage Imaginary in the Transatlantic Economy | 48 |
4 | 'Up to the Highest Point': Liberation and the Flying Symbolic in Black Atlantic Culture | 82 |
5 | 'Who's Eating Whom?' The Discourse of Cannibalism in Narratives of the Black and White Atlantic | 120 |
6 | Funky Eruptions and Chain-dancing to Freedom: The Implications of Toni Morrison's Radical Style in The Bluest Eye, Tar Baby and Beloved | 147 |
7 | 'The Dogs of Old England Meet the Lions of the New World': The Travels of Frederick Douglass and Paul Robeson in the Black Atlantic and the Development of a 'Strategic Anglophilia' | 172 |
8 | Black Bodies Transported across the Ocean in Chains: The Black Atlantic in Cinema from King Kong to Amistad | 188 |
9 | From Ships on the Head to Stone-Markers on the Shore: The Conservation of Black Atlantic Memory | 201 |
Bibliography | 218 | |
Index | 237 |
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