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Quoting Caravaggio: Contemporary Art, Preposterous History Book

Quoting Caravaggio: Contemporary Art, Preposterous History
Quoting Caravaggio: Contemporary Art, Preposterous History, As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In <i>Quoting, Quoting Caravaggio: Contemporary Art, Preposterous History has a rating of 3.5 stars
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Quoting Caravaggio: Contemporary Art, Preposterous History, As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In Quoting, Quoting Caravaggio: Contemporary Art, Preposterous History
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  • Quoting Caravaggio: Contemporary Art, Preposterous History
  • Written by author Mieke Bal
  • Published by University of Chicago Press, March 2001
  • As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In Quoting
  • In Quoting Caravaggio, Mieke Bal investigates not only the great seventeenth-century painter, but also the issue of temporality in art. To do this she analyzes the productive relationship between Caravaggio and a number of late-twentieth-century ar
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Book Categories

Authors

List of Illustrations
Acknowledgments
Introduction1
1Skin-Deep: Baroque Point of View27
2White Historiography45
3Reading Caravaggio: Basic Instincts and Their Discontents77
4Sighting Time99
5Space, Inc129
6Second-Person Narrative165
7Mirrors of Nature209
8Narcissus Now231
Afterword263
Bibliography269
Index of Names and Titles287
Index of Terms and Concepts293


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Quoting Caravaggio: Contemporary Art, Preposterous History, As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In <i>Quoting, Quoting Caravaggio: Contemporary Art, Preposterous History

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Quoting Caravaggio: Contemporary Art, Preposterous History, As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In <i>Quoting, Quoting Caravaggio: Contemporary Art, Preposterous History

Quoting Caravaggio: Contemporary Art, Preposterous History

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Quoting Caravaggio: Contemporary Art, Preposterous History, As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In <i>Quoting, Quoting Caravaggio: Contemporary Art, Preposterous History

Quoting Caravaggio: Contemporary Art, Preposterous History

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