Sold Out
Book Categories |
List of Illustrations | ||
Acknowledgments | ||
Introduction | 1 | |
1 | Skin-Deep: Baroque Point of View | 27 |
2 | White Historiography | 45 |
3 | Reading Caravaggio: Basic Instincts and Their Discontents | 77 |
4 | Sighting Time | 99 |
5 | Space, Inc | 129 |
6 | Second-Person Narrative | 165 |
7 | Mirrors of Nature | 209 |
8 | Narcissus Now | 231 |
Afterword | 263 | |
Bibliography | 269 | |
Index of Names and Titles | 287 | |
Index of Terms and Concepts | 293 |
Login|Complaints|Blog|Games|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish ListX
This item is in your CollectionQuoting Caravaggio: Contemporary Art, Preposterous History
X
This Item is in Your InventoryQuoting Caravaggio: Contemporary Art, Preposterous History
X
You must be logged in to review the productsX
X
X
Add Quoting Caravaggio: Contemporary Art, Preposterous History, As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In Quoting, Quoting Caravaggio: Contemporary Art, Preposterous History to the inventory that you are selling on WonderClubX
X
Add Quoting Caravaggio: Contemporary Art, Preposterous History, As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In Quoting, Quoting Caravaggio: Contemporary Art, Preposterous History to your collection on WonderClub |