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Acknowledgements
• Introduction: Queering the Gothic — William Hughes and Andrew Smith * ‘Love in a Convent’: Or, Gothic and the Perverse Father of Queer Enjoyment — Dale Townshend
* ‘Do You Share My Madness?’: Frankenstein’s Queer Gothic — Mair Rigby
• Daniel Deronda’s Jewish Panic — Royce Mahawatte
• ‘That mighty love which maddens one to crime’: Medicine Masculinity, Same-Sex Desire and the Gothic in Teleny — Diane Mason * Gothic Landscapes, Imperial Collapse, and the Queering of Adela Quested in E. M. Forster’s A Passage to India — Ardel Thomas * Antonia White’s Frost in May: Gothic Mansions, Ghosts and Particular Friendships — Paulina Palmer * Devouring Desires: Lesbian Gothic Horror — Gina Wisker * ‘The taste of blood meant the end of aloneness’.Vampires and Gay Men in Poppy Z. Brite’s Lost Souls — William Hughes * Michael Jackson’s Queer Funk — Steven Bruhm * Death, Art, and Bodies: Queering the Queer Gothic in Will Self’s Dorian — Andrew Smith * Notes on Contributors
• Index
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![]() Add Queering the Gothic, Queering the Gothic is the first multi-authored book concerned with the developing interface between Gothic criticism and queer theory. Considering a range of Gothic texts produced between the eighteenth century and the present, the contributors explore t, Queering the Gothic to the inventory that you are selling on WonderClubX
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![]() Add Queering the Gothic, Queering the Gothic is the first multi-authored book concerned with the developing interface between Gothic criticism and queer theory. Considering a range of Gothic texts produced between the eighteenth century and the present, the contributors explore t, Queering the Gothic to your collection on WonderClub |