Q Road Book

(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com]. I am the original author of this essay, as well as the owner of CCLaP; it is not being reprinted illegally.)

I recently found myself with the opportunity to interview revered author Bonnie Jo Campbell for the CCLaP Podcast; and so before doing so, I thought it would be beneficial to read her two most popular books besides the one I've already read (2011's Once Upon a River, that is, considered by many to be a frontrunner for this year's Pulitzer). And indeed, it turned out to be quite important that I read her 1999 breakout novel Q Road before talking with her, because it turns out to be a clever sort of prequel/sequel to the Once Upon a River title we'll mainly be discussing; set on the cusp of the new millennium, it tells the story of the "last hurrah" of sorts for a rural farmland area just outside of Kalamazoo, Michigan before finally succumbing to the capitalist steamroller of exurban subdivisions, chain restaurants and pristine golf courses, an Altmanesque interrelated ensemble character piece in which one of the characters (teenage tomboy and child bride Rachel Crane) just happens to be the daughter of the main character of Once Upon a River (the even more hardcore tomboy Margo Crane), only with the newer novel set in the older 1970s and examining Margo's own teenage years as a tight-lipped, sharpshooting pregnant runaway.

And in fact you can look at all three of these books in much the same light (including the slim 2009 story collection American Salvage, the third title in this list); they are all episodic in nature, take a sympathetic and nonjudgemental look at the kinds of characters we would traditionally call dumb white trash, yet can frequently reach a level of poetic harshness and violence akin to a Sam Shepard play, stories that don't excuse the behavior of the meth addicts, racists and uneducated hillbillies that populate her universe but that don't dismiss such characters either, an attitude that I'm sure at least partly stems from Campbell's own background as a willful tomboy in this exact kind of rural Michigan environment (but more on that in the finished podcast episode, coming next week). Powerful and unflinching, yet beautiful and easily readable, it's no surprise after reading these three books that Campbell would have the kind of intensely passionate fanbase that she does, as well as racking up such academic tentpoles as a Pushcart Prize, Eudora Welty Prize, National Book Award nomination and National Book Critics Circle Award nomination; and I wholeheartedly recommend them all to a general audience.

Out of 10:
Q Road: 9.4
American Salvage: 9.0