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Armstrong proposes a theory of the language of 19th- century poetry derived from Romantic philosophy in this highly original and important new study. Partial contents: Wordsworth's complexity: Prelude (1805), Book VI; Blakes's simplicity: Jerusalem, Chapter 1; Shelley's perplexity: Prometheus Unbound; Browning, the fracture of subject and object: Sordello, Book III; Tennyson, the collapse of object and subject: In Memoriam
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
César Casali Dias Da Costa
reviewed Language As Living Form in Nineteenth Century Poetry on June 26, 2012
Language As Living Form in Nineteenth Century Poetry
Imagine a high-level cliff notes with resource material from the leading scholars on Blake. Bloom's Major Poets on William Blake is just this. This academic resource is great for those writing a paper on Blake, but does not designed to a narrative about Blake and his life's work. I want to know more about Blake's process of creating art. I would like to think that if Blake lived in our life, he would be trained in the of multimedia, but probably would be disgruntled by the whole thing.
JS
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Add Language As Living Form in Nineteenth Century Poetry, Armstrong proposes a theory of the language of 19th- century poetry derived from Romantic philosophy in this highly original and important new study. Partial contents: Wordsworth's complexity: Prelude (1805), Book VI; Blakes's simplicity: Jerusalem, Chapt, Language As Living Form in Nineteenth Century Poetry to the inventory that you are selling on WonderClubX
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Add Language As Living Form in Nineteenth Century Poetry, Armstrong proposes a theory of the language of 19th- century poetry derived from Romantic philosophy in this highly original and important new study. Partial contents: Wordsworth's complexity: Prelude (1805), Book VI; Blakes's simplicity: Jerusalem, Chapt, Language As Living Form in Nineteenth Century Poetry to your collection on WonderClub |
