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Acknowledgements | ||
Copyright Permissions | ||
Introduction | 1 | |
Sect. 1 | Oblique Angles: Women Poets and Modernism | 11 |
1 | Charlotte Mew, T. S. Eliot and Modernism | 13 |
2 | Great Expectations: Rehabilitating the Recalcitrant War Poets | 25 |
3 | H. D. Imagiste? Bisexuality: Identity: Imagism | 39 |
Sect. 2 | The Politics of Place | 55 |
4 | Dodging Around the Grand Piano: Sex, Politics and Contemporary Irish Women's Poetry | 57 |
5 | 'From Room to Homesick Room': Women and Poetry in Northern Ireland | 84 |
6 | Writing Near the Fault Line: Scottish Women Poets and the Topography of Tongues | 95 |
Sect. 3 | (Post) Colonial Contexts | 111 |
7 | Sentimental Subversion: The Poetics and Politics of Devotion in the Work of Una Marson | 113 |
8 | 'holding my beads in my hand': Dialogue, Synthesis and Power in the Poetry of Jackie Kay and Grace Nichols | 125 |
9 | Epic, a Woman's Place: A Study of Derek Walcott's Omeros and Jean Binta Breeze's 'A River Called Wise' | 140 |
Sect. 4 | The Body | 153 |
10 | Sylvia Plath's Revolutionary Wieldings of the Female Body | 155 |
11 | In/Corporation? Jackie Kay's The Adoption Papers | 169 |
12 | Delivering the Mother: Three Anthologies of Birth Poetry | 178 |
Sect. 5 | Radical Poetics | 189 |
13 | Lorine Niedecker On and Off the Margins: A Radical Poetics out of Objectivism | 191 |
14 | Reading Between the Lines: Identity in the Early Poems of Veronica Forrest-Thomson | 210 |
15 | Feminist Radicalism in (Relatively) Traditional Forms: An American's Investigations of British Poetics | 227 |
Sect. 6 | Women Poet: Reconfigurations | 251 |
16 | Poetry and the Position of Weakness: Some Challenges of Writing in Health-Care | 253 |
17 | Objecting to the Subject: Science, Femininity and Poetic Process in the Work of Elizabeth Bishop and Lavinia Greenlaw | 267 |
18 | 'No-one's Mother': Can the Mother Write Poetry? | 277 |
Notes on Contributors | 298 | |
Index | 301 |
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