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John Clare and the Imagination of the Reader Book

John Clare and the Imagination of the Reader
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John Clare and the Imagination of the Reader, John Clare (1793-1864) repeatedly described his poems as his 'offspring' and anxiously imagined their reception in a cultural field over which he had limited control. This broad and original study of the full range of his work is the first to take serious, John Clare and the Imagination of the Reader
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  • John Clare and the Imagination of the Reader
  • Written by author Paul Chirico
  • Published by Palgrave Macmillan, 7/12/2007
  • John Clare (1793-1864) repeatedly described his poems as his 'offspring' and anxiously imagined their reception in a cultural field over which he had limited control. This broad and original study of the full range of his work is the first to take serious
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Authors

Acknowledgements viii

Abbreviations xi

1 Introduction: Whose Clare? 1

John Taylor and Clare's early reception 5

2 The Sociable Text 23

Obscurity and the natural anthology 26

Keats and the circles of literary production 34

3 The Natural Text and the Canon 50

'To the Memory of Bloomfield': natural metaphor 54

Popularity and the canon 61

'Old Poesy' and the afterlife of language 68

4 Time and Labour 78

The uses of obscurity 82

Rural ruins and the leisured labourer 89

Taste and antiquity: the limits of knowledge 96

5 Audience and Haunting 107

Haunted narratives: 'The Fate of Amy' 110

Superstition and textual pluralism 119

Ghost stories and the haunted artefact 127

6 Imagination and Artifice 138

Compulsive composition and natural observation 143

Linguistic artifice and other lands 150

Disfigured landscapes 158

7 Conclusion: Clare's Muse 167

'To the Rural Muse' 169

Notes 181

Bibliography 206

Index 216


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John Clare and the Imagination of the Reader, John Clare (1793-1864) repeatedly described his poems as his 'offspring' and anxiously imagined their reception in a cultural field over which he had limited control. This broad and original study of the full range of his work is the first to take serious, John Clare and the Imagination of the Reader

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John Clare and the Imagination of the Reader, John Clare (1793-1864) repeatedly described his poems as his 'offspring' and anxiously imagined their reception in a cultural field over which he had limited control. This broad and original study of the full range of his work is the first to take serious, John Clare and the Imagination of the Reader

John Clare and the Imagination of the Reader

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John Clare and the Imagination of the Reader, John Clare (1793-1864) repeatedly described his poems as his 'offspring' and anxiously imagined their reception in a cultural field over which he had limited control. This broad and original study of the full range of his work is the first to take serious, John Clare and the Imagination of the Reader

John Clare and the Imagination of the Reader

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