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Acknowledgements viii
Abbreviations xi
1 Introduction: Whose Clare? 1
John Taylor and Clare's early reception 5
2 The Sociable Text 23
Obscurity and the natural anthology 26
Keats and the circles of literary production 34
3 The Natural Text and the Canon 50
'To the Memory of Bloomfield': natural metaphor 54
Popularity and the canon 61
'Old Poesy' and the afterlife of language 68
4 Time and Labour 78
The uses of obscurity 82
Rural ruins and the leisured labourer 89
Taste and antiquity: the limits of knowledge 96
5 Audience and Haunting 107
Haunted narratives: 'The Fate of Amy' 110
Superstition and textual pluralism 119
Ghost stories and the haunted artefact 127
6 Imagination and Artifice 138
Compulsive composition and natural observation 143
Linguistic artifice and other lands 150
Disfigured landscapes 158
7 Conclusion: Clare's Muse 167
'To the Rural Muse' 169
Notes 181
Bibliography 206
Index 216
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Add John Clare and the Imagination of the Reader, John Clare (1793-1864) repeatedly described his poems as his 'offspring' and anxiously imagined their reception in a cultural field over which he had limited control. This broad and original study of the full range of his work is the first to take serious, John Clare and the Imagination of the Reader to the inventory that you are selling on WonderClubX
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Add John Clare and the Imagination of the Reader, John Clare (1793-1864) repeatedly described his poems as his 'offspring' and anxiously imagined their reception in a cultural field over which he had limited control. This broad and original study of the full range of his work is the first to take serious, John Clare and the Imagination of the Reader to your collection on WonderClub |