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A searing black comedy about nannies and parents, publishing and prejudice, and the not-so-gentle art of ambition.
The new nanny is perfect. A natural with children, a whiz in the kitchen, and a talented painter, the only thing Miss Washington can't seem to do is make a mistake. But when Stuart Cross loses his editing job and decides to write the great American novel, the nanny's excellence quickly becomes a sore spot.
Stuart, paralyzed by writer's block, envies her impending artistic success; his wife Andie doesn't trust her and wishes she could stay home with their daughters; and on top of that, even a mention of the nanny's old boyfriend, ex-con Toussaint, makes the local police uneasy. The heightening jealousy and resentment that the parents feel toward their surrogate sets into motion a chain of unexpected events and surprising reversals that will end, less than a week later, in a suspected kidnapping, a half-million-dollar book deal, and the unpleasant question of just who, exactly, the guilty party is.
Benjamin Cheever, author of three previous novels and the eponymously self-excoriating Selling Ben Cheever: Back to Square One in a Service Economy, knows well the narrative allure of the failure, and in his newest novel, The Good Nanny, he deals it out with refined sadistic flourishes.
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