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Introduction: Emersonian Poetics
1. Marie Menken and the Somatic Camera
2. Ian Hugo and Superimposition
3. Stan Brakhage's Autobiography as a Cinematic Sequence
4. Jonas Mekas and the Diary Film
5. Hollis Frampton and the Spectre of Narrative
6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe
7. Beavers's Second Cycle: The Past in the Present - The Present in the Past
8. Andrew Noren and the Open-Ended Cinematic Sequence
9. Ernie Gehr and the Axis of Primary Thought
10. Warren Sonbert's Movements in a Concerto
11. Brakhage and the Tales of the Tribes
12. Frampton's Magellan
13. Abigail Child: Textual Self-Reliance
14. Su Friedrich: "Giving Birth to Myself"
15. Brakhage: Meditative Cinema
16. Beavers's Third Cycle: The Theater of Gesture
17. Mekas's Retrospection Conclusion: Perfect Exhilaration Appendix: Chronology of Films
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Add Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson, Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discuss, Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson to the inventory that you are selling on WonderClubX
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Add Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson, Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discuss, Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson to your collection on WonderClub |