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Acknowledgements | ||
Foreword | ||
1 | Training the Drama Therapist: A Four-Part Model (1982) | 1 |
2 | The Use of Distancing in Drama Therapy (1983) | 13 |
3 | Conceptual and Methodological Issues of Research in Drama Therapist (1984) | 28 |
4 | Puppets, Dolls, Objects, Masks, and Make-up (1984) | 44 |
5 | The Image of the Mask: Implications for Theatre and Therapy (1985) | 54 |
6 | Reflections Upon Training: The Making of a Drama Therapist (1987) | 70 |
7 | One-on-One: The Role of the Drama Therapist Working with Individuals (1991) | 84 |
8 | The Concept of Role in Drama Therapy (1991) | 99 |
9 | A Taxonomy of Roles: A Blueprint for the Possibilities of Being (1992) | 111 |
10 | A Research Agenda for the Creative Arts Therapies (1993) | 137 |
11 | The Child, the Dreamer, the Artist and the Fool: In Search of Understanding the Meaning of Expressive Therapy (1993) | 140 |
12 | Three Scenarios for the Future of Drama Therapy (1993) | 159 |
13 | The Dramatic World View: Reflections on the Roles Taken and Played by Young Children (1993) | 169 |
14 | A Short-term Model of Drama Therapy Through the Role Method (1994) | 190 |
15 | Isolation and Collaboration in the Creative Arts Therapies: The Implications of Crossing Borders (1994) | 202 |
16 | In Search of the Muse (1995) | 207 |
17 | The Double Life: A Case of Bipolar Disorder (1995) | 216 |
References | 252 | |
Index |
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