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Preface | ||
Acknowledgements of Copyright Material | ||
Introduction | 1 | |
1 | "A Narrative of Undermine": Gertrude Stein's Multiplicity | 21 |
2 | Recurrencies: No. 12 of Louis Zukofsky's Anew | 44 |
3 | "Instant Entirety": Zukofsky's "A" | 59 |
4 | "Not at All Surprised by Science": Louis Zukofsky's First Half of "A" - 9 | 70 |
5 | "Actual Word Stuff, Not Thoughts for Thoughts": Williams and Zukofsky | 90 |
6 | "Only Is Order Othered. Nought Is Nulled": Finnegans Wake and Middle and Late Zukofsky | 104 |
7 | "To Make Glad the Heart of Man": Bunting, Pound, and Whitman | 121 |
8 | Six Plaints and a Lament for Basil Bunting | 134 |
9 | Exploring the Mere: A Note on Charles Reznikoff's Shorter Poems | 148 |
10 | Robert Creeley What Counts | 155 |
11 | "Go Contrary, Go Sing": Robert Duncan 1919-1988 | 161 |
12 | Writing as Assemblage: Guy Davenport | 166 |
13 | And The Without: An Interpretive Essay on Susan Howe | 182 |
Notes | 195 | |
Index | 229 |
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Add Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe, Disjunctive Poetics examines some of the most interesting and experimental contemporary writers whose work forms a counterpoint to the mainstream writing of our time. Peter Quartermain suggests that the explosion of noncanonical modern writing is linked t, Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe to the inventory that you are selling on WonderClubX
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Add Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe, Disjunctive Poetics examines some of the most interesting and experimental contemporary writers whose work forms a counterpoint to the mainstream writing of our time. Peter Quartermain suggests that the explosion of noncanonical modern writing is linked t, Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe to your collection on WonderClub |