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Introduction: Reception Study in a Multicultural Era | 1 | |
1 | Cultural Value and Poststructuralist Theory: The Case for a Left-Wing Reception Study | 31 |
2 | Marxism and/as Humanism: The Reception of Hamlet | 53 |
3 | Feminism and Poststructuralist Criticism: The Reception of Pride and Prejudice | 83 |
4 | Conformity and Resistance in High Art: From Thomas Hardy to Toni Morrison | 113 |
5 | Gender, Spies, and Art: Ian Fleming, John Le Carre, Mickey Spillane, and Sara Paretsky | 141 |
6 | Orwell as a Neoconservative: The Reception of 1984 | 165 |
7 | Critical Realism or Black Modernism? The Reception of Their Eyes Were Watching God | 181 |
Conclusion: The Limits of Reception Study | 199 | |
Bibliography | 209 | |
Index | 235 | |
About the Author | 241 |
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