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Book Categories |
Preface | xv | |
Tragedy/Drama | ||
Greek/Roman | ||
1 | Prometheus cries out against his suffering willed by Zeus ((468+ BC) Aeschylus, Prometheus Bound, tr. D. Grene.) | 2 |
2 | The Chorus remembers the dead brought home from Troy ((458 BC) Aeschylus, Agamemnon, tr. L. Katz) | 5 |
3 | The Chorus condemns Helen for the ruin of Troy ((458 BC) Aeschylus, Agamemnon, tr. L. Katz) | 8 |
4 | Aegisthus rejoices in the death of Agamemnon ((458 BC) Aeschylus, Agamemnon, tr. L, Katz) | 11 |
5 | Ajax pretends to be reconciled to his shame ((450-440 BC) Sophocles, Ajax, tr. J. Moore) | 14 |
6 | Ajax bids farewell to the gods and Athens and falls on his sword ((450-440 BC) Sophocles, Ajax, tr. J. Moore) | 17 |
7 | Creon argues the case to his son against disloyalty and anarchy ((441 BC) Sophocles, Antigone, tr. Nicholas Rudall) | 20 |
8 | Tiresias violently condemns Creon's stubbornness and folly ((441 BC) Sophocles, Antigone, tr. Nicholas Rudall) | 23 |
9 | The Messenger recounts the death of Haemon to his mother ((441 BC) Sophocles, Antigone, tr. P. Arnott) | 25 |
10 | The Chorus hymns the wonders and limits of man ((441 BC) Sophocles, Antigone, tr. Elizabeth Wycoff) | 28 |
11 | Tiresias, provoked by Oedipus, reveals almost the whole of the oracle's pronouncement ((430-425 BC) Sophocles, Oedipus the King, tr. W. B. Yeats) | 29 |
12 | Oedipus confesses his haunting doubts to Jocasta ((430-425 BC) Sophocles, Oedipus the King, tr. W. B. Yeats) | 32 |
13 | Oedipus bids farewell to his daughters ((430-425 BC) Sophocles, Oedipus the King, tr. P. Arnott) | 34 |
14 | Oedipus condemns himself to exile and death ((430-425 BC) Sophocles, Oedipus the King, tr. D. Grene) | 36 |
15 | Theseus catigates his son Hippolytus for adultery ((428 BC) Euripides, Hippolytus, tr. D. Grene) | 38 |
16 | Peleus reviles Menelaus and his wife Helen ((417-415 BC) Euripides, Andromache, tr. M. Hadas and J. H. McLean) | 41 |
17 | Peleus, outraged at his army's treatment of Andromache, helps her to safety ((417-415 BC) Euripides, Andromache, tr. M. Hadas and J.H. McLean) | 44 |
18 | Heracles, dying in agony, curses the wife who sent him the poisoned shirt ((413 BC) Sophocles, The Women of Trachis, tr. M. Jameson) | 46 |
19 | Oedipus, unwilling to leave thebes, bemoans his destiny ((409 BC) Euripides, The Phoenician Women, tr. L. Katz) | 50 |
20 | Tiresias heatedly defends the god Dionysus against Pentheus' condemnation ((c408 BC) Euripides, The Bacchae, tr. M. Hadas and J. H. McLean) | 53 |
21 | The Herdsman reports to Pentheus the magical feats of the Bacchants on their awakening ((c408 BC) Euripides, The Bacchae, tr. M. Hadas and J. H. McLean) | 57 |
22 | Oedipus denounces his son Polyneices and prophesies his doom ((406 BC) Sophocles, Oedipus at Colonus, tr. R. Fitzgerald) | 60 |
23 | Oedipus gives his blessing to Athens and goes to his death ((406 BC) Sophocles, Oedipus at Colonus, tr. R. Fitzgerald) | 62 |
24 | Oedipus defends himself against the charge of incest and patricide ((c50-65 AD) Seneca, Oedipus, tr. E. I. Harris, ad. L. Katz, Act 3, Sc. 1) | 65 |
25 | Oedipus, blinded and self-exiled, feels relieved by his fate ((c50-65 AD) Seneca, Oedipus, tr. E. I. Harris, ad. L. Katz, Act 5, Sc. 2 and 3) | 68 |
26 | Atreus plans his gruesome revenge on his brother Thyestes ((c50-65 AD) Seneca, Thyestes, tr. E. I. Harris, ad. L. Katz, Act 2, Sc. 1) | 70 |
27 | Atreus, gloating, observes Thyestes waking after feasting on his sons ((c50-65 AD) Seneca, Thyestes, tr. E. I. Harris, ad. L. Katz, Act 5, Sc. and 3) | 73 |
28 | Hercules, having in his madness destroyed his wife and sons, now longs to destroy himself ((c50-65 AD) Seneca, Mad Hercules, tr. E. I. Harris, Act 5, Sc. 1 and 3) | 76 |
Elizabethan/Jacobean | ||
29 | The Spanish General narrates a tale of battle victory ((c1587; 1602) Thomas Kyd, The Spanish Tragedy, Act 1, Sc. 2) | 82 |
30 | Hieronymo discovers the body of his murdered son ((c1587; 1602) Thomas Kyd, The Spanish Tragedy, Act 2, Sc. 5) | 85 |
31 | Mad Hieronymo considers: "What is a son?" ((c1587; 1602) Thomas Kyd, The Spanish Tragedy, Act 3, Sc. 11) | 88 |
32 | Mad Hieronymo directs a painter to paint a murder ((c1587; 1602) Thomas Kyd, The Spanish Tragedy, Act 3, Sc. 12a) | 91 |
33 | Mad Hieronymo mistakes a suppliant for his dead son ((c1587; 1602) Thomas Kyd, The Spanish Tragedy, Act 3, Sc. 13) | 94 |
34 | Hieronymo brings the play-within-the-play to its gruesome end ((c1587; 1602) Thomas Kyd, The Spanish Tragedy, Act 4, Sc. 4) | 97 |
35 | Sejanus commits himself to a sanguine and limitless revenge ((1603) Ben Jonson, Sejanus, Act 2, Sc. 2) | 101 |
36 | Sejanus plans the secret assumption of Caesar's authority ((1603) Ben Jonson, Sejanus, Act 3, Sc. 2) | 103 |
37 | De Flores, suffering the contempt of his beloved Beatrice, bides his time ((1622) Thomas Middleton and William Rowley, The Changeling, Act 2, Sc. 1) | 105 |
38 | De Flores wins his whole recompense from Beatrice ((1622) Thomas Middleton and William Rowley, The Changeling, Act 3, Sc. 4) | 108 |
39 | Friar Bonaventura condemns Giovanni and urges penitence for his thought of incest ((1629-33) John Ford, 'Tis a Pity She's a Whore, Act 1, Scene 1) | 112 |
XVII Century French | ||
40 | The father of Rodrigue determines to be revenged ((1638) Pierre Corneille, Le Cid, tr. Paul Landis, Act 1, Sc. 4) | 116 |
41 | The emporer Augustus ruminates on the futility of power ((1640) Pierre Corneille, Cinna, tr. Paul Landis, Act 2, Sc. 1) | 117 |
42 | The emperor Augustus undergoes his dark night of the soul ((1640) Pierre Corneille, Cinna, tr. Paul Landis, Act 4, Sc. 2) | 121 |
43 | The emperor Augustus reasons with his would-be assassin ((1640) Pierre Corneille, Cinna, tr. Paul Landis, Act 5, Sc. 1) | 124 |
44 | Theseus accuses his son of adultery ((1677) Jean Racine, Phaedra, tr. R. Henderson, Act 4) | 127 |
Restoration | ||
45 | Samson, in torment, yearns for his death ((1668-70) John Milton, Samson Agonistes, Lines 606-651) | 132 |
46 | Milton's tragic conclusion: "Calm of mind, all passion spent" ((1668-70) John Milton, Samson Agonistes, Lines 1708-1758) | 136 |
47 | Antony mourns his fallen state ((1671) John Dryden, All for Love, Act 1, Sc. 1) | 139 |
48 | Antony accuses Cleopatra of being the instrument of his downfall ((1671) John Dryden, All for Love, Act 2, Sc. 1) | 141 |
49 | The Great Constable explains the folly of virtue to his son, his prisoner ((1679) John Crowne, The Ambitious Statesman, Act 5, Sc. 1) | 144 |
50 | Aboan, Oroonoko's loyal follower, rouses him to rebellion against the English ((1695) Thomas Southerne, Oroonoko, Act 3, Sc. 2) | 146 |
XVIII Century English/German | ||
51 | Cato contemplates the allurement of immortality ((1713) Joseph Addison, Cato, Act 5, Sc. 1) | 152 |
52 | Thorowgood catechizes the blessings of commerce ((1731) George Lillo, The London Merchant, Act 3, Sc. 1) | 155 |
53 | Wallenstein inveighs against chance, not his own will, governing his acts ((1799) Friedrich Schiller, Wallenstein's Death, tr. Jeanne Wilson, Act 1, Sc. 4) | 157 |
54 | Wallenstein interprets a dream as a predestined savior of his life ((1799) Friedrich Schiller, Wallenstein's Death, tr. Jeanne Wilson, Act 2, Sc. 3) | 161 |
XIX Century French/German | ||
55 | An Old Man brings news of death to a family, and wonders how to approach them ((1896) Maurice Maeterlinck, Home, tr. Richard Hovey, 1-act) | 166 |
56 | Cyrano defends his nose against insult, and runs the insulting culprit through ((1897) Edmond Rostand, Cyrano de Bergerac, tr. Brian Hooker, Act 1) | 169 |
57 | Cyrano brags of his credo: To bend the knee to no one ((1897) Edmond Rostand, Cyrano de Bergerac, tr. Brian Hooker, Act 2) | 174 |
58 | Cyrano, tottering but upright, sword drawn, meets death ((1897) Edmond Rostand, Cyrano de Bergerac, tr. Brian Hooker, Act 5) | 177 |
59 | Robespierre concludes: In himself "the Son of Man is crucifed" ((1835) Georg Buchner, Danton's Death, tr. C. R. Mueller, Act I, Sc. 6) | 181 |
60 | Danton, bored and disenchanted, delays from arrest ((1835) Georg Buchner, Danton's Death, tr. C. R. Mueller, Act 2, Sc. 1) | 184 |
61 | Danton reconciles himself to despair and to imminent death ((1835) Georg Buchner, Danton's Death, tr. C. R. Mueller, Act 4, Sc. 1) | 187 |
XIX/XX Century English | ||
62 | Cenci cries curses on Beatrice and prays for her destruction ((1819) Percy Shelley, The Cenci, Act 4, Sc. 1) | 190 |
63 | Virginius, having killed his daughter to prevent her enslavement and ruin, runs mad and searches for her ((1820) Amos Sheridan Knowles, Virginius, Act 5, Sc. 3) | 193 |
64 | Luke explains the justification for his revenge: his wife's death by starvation ((1826) John Baldwin Buckston, Luke the Laborer, Act 1, Sc. 2) | 197 |
65 | The Duke of Ferrara explains to a visitor the smile on his late duchess's face ((1842) Robert Browning, My Last Duchess) | 199 |
66 | Mathias, having successfully concealed his theft and murder for years, is troubled only by the sound of bells ((1871) Leopold Lewis, The Bells, Act 2) | 202 |
67 | Mathias, in nightmare, dreams he is under hypnosis, and overcome by his own confession of murderous guilt, dies ((1871) Leopold Lewis, The Bells, Act 3) | 205 |
68 | Jokanaan cries abomination on Herod, Herodias, and their daughter Salome ((1893) Oscar Wilde, Salome) | 209 |
69 | Herod offers Salome any treasure to relieve him of his oath to grant her the head of Jokanaan ((1893) Oscar Wilde, Salome) | 212 |
70 | Sherlock Holmes, while enjoying his seven-percent solution, anticipates the arrest and demise of Moriarty ((1899) William H. Gillette, Sherlock Holmes, Act 2, Sc. 2) | 214 |
71 | Mr. O'Connell, a Catholic of conscience, is asked for political reasons not to denounce his wife's adulterer ((1907) Harley Granville Barker, Waste, Act 3) | 218 |
Comedy | ||
Greek | ||
72 | Dicaeopolis speaks his mind about the stupid reasons for the current war ((425 BC) Aritophanes, The Acharnians, tr. Jack Flavin) | 224 |
73 | Aristophanes argues the case for his comedy's winning first prize ((421 BC) Aristophanes, Peace, tr. Fred Beake) | 227 |
74 | Mnesilochus, in drag at the women's festival, defends his nephew Euripides' attacks on women ((411 BC) Aristophanes, Thesmaphoriazusae, tr. Anonymous) | 230 |
75 | Blepyrus, needing to take a crap in the dead of night, has no choice but to wear his wife's clothing ((392 BC) Aristophanes, Ecclesiazusae, tr. Anonymous) | 233 |
Italian Renaissance | ||
76 | Fra Timoteo persuades Lucrezia that it is pious to commit adultery ((c1515-20) Machiavelli, Mandragola, tr. Kenneth and Laura Richards, Act 3, Sc. 11) | 236 |
Elizabethan/Jacobean | ||
77 | Simon Eyre prepares a feast for his king ((1599) Thomas Dekker, The Shoemaker's Holiday, Act 5, Sc. 4) | 240 |
78 | Captain Seagull peddles the glories of Virginia to dupes ((1604) Marston, Chapman, and Jonson, Eastward Ho!, Act 3, Sc. 3) | 242 |
79 | Touchstone reveals the sins of the shipwrecked to the constable ((1604) Marston, Chapman, and Jonson, Eastward Ho!, Act 4, Sc. 2) | 244 |
80 | Volpone welcomes the morning sun and his gold ((1606) Ben Jonson, Volpone, Act I, Sc. 1) | 246 |
81 | Volpone, disguised as a mountebank, hawks quack remedies ((1606) Ben Johnson, Volpone, Act 2, Sc. 1) | 248 |
82 | Morose, who can bear no noise, instructs his servant mute ((1609) Ben Johnson, Epicoene, or The Silent Woman, Act 2, Sc. 1) | 251 |
83 | Morose interviews a potentially silent wife ((1609) Ben Johnson, Epicoene, or The Silent Woman, Act 2, Sc. 5) | 255 |
84 | Sir Epicure Mammon prepares for projection's success ((1610) Ben Johnson, The Alchemist, Act 2, Sc. 2) | 258 |
85 | Allwit congratulates himself on the ease and profit of his cuckold's life ((1612) Thomas Middleton, A Chaste Maid of Cheapside, Act 1, Sc. 2) | 261 |
86 | Overreach tutors his daughter in marital entrapment ((1621-22) Philip Massinger, A New Way To Pay Old Debts, Act 3, Sc. 2) | 264 |
XVII Century French | ||
87 | Arnolphe explains his procedure for raising a perfect wife in perfect ignorance ((1662) Jean-Baptiste Moliere, The School for Wives, tr. Morris Bishop, Act 1, Sc. 1) | 268 |
88 | Don Juan's father condemns his son for shaming his heritage ((1665) Jean-Baptiste Moliere, Don Juan, tr. G. Graveley and I. Maclean, Act 4, Sc. 6) | 270 |
89 | Harpagon, fearing his treasure stolen, runs mad ((1668) Jean-Baptiste Moliere, The Miser, tr. G. Graveley and I. Maclean, Act 4, Sc. 7) | 272 |
Restoration | ||
90 | Pinchwife apprehends his wife authoring a letter of her own invention ((1675) William Wycherley, The Country Wife, Act 4) | 276 |
91 | Sir Feeble, with the help of his man Francis (his rival in disguise), readies for bedtime with his new bride ((1686) Aphra Behn, The Lucky Chance, Act 3. Sc. 1) | 278 |
92 | Jupiter, bidding farewell to Alcmene after their night of love, claims a higher place in her esteem than "husband" ((1690) John Dryden, Amphitryon, Act 2, Sc. 1) | 281 |
93 | Jupiter, out of the machine, makes all things clear ((1690) John Dryden, Amphitryon, Act 5, Sc. 1) | 284 |
94 | Fondlewife, while warning his wife of adultery, is melted by her tears ((1693) William Congreve, The Old Bachelor, Act 4, passage excerpted from Scs. 2, 3, 4) | 286 |
95 | Coupler the Matchmaker dreams up a scheme to get one brother wealthily wived at the expense of the other ((1696) John Vanbrugh, The Relapse, Act 1, Sc. 3) | 288 |
XVIII Century English | ||
96 | Sable the Undertaker rehearses his regular mourners for the coming funeral ((1701) Richard Steele, The Funeral, Act 1, Sc. 1) | 292 |
97 | Puzzle the Attorneys explains the profit for lawyers of professional ofuscation and tautology ((1701) Richard Steele, The Funeral, Act 1, Sc. 2) | 295 |
98 | Sir Jealous Traffic, devoted to Spanish custom, confines his daughter to Spanish honor's constraints ((1709) Susannah Centlivre, The Busybody, Act 2, Sc. 2) | 297 |
99 | The merchant Sealand boldly counters Sir John's claims of aristocracy's privileged morality ((1722) Richard Steele, The Conscious Lovers, Act 4, Sc. 2) | 299 |
100 | Peachum considers which of his henchmen he will betray today for execution ((1728) John Gay, The Beggar's Opera, Act 1, Sc. 3) | 302 |
101 | Peachum warns against the evil of marriage ((1728) John Gay, The Beggar's Opera, Act 1, Sc. 4) | 304 |
102 | Macheath welcomes his ladies to the tavern with song ((1728) John Gay, The Beggar's Opera, Act 2, Sc. 4) | 306 |
103 | Sir Simon, after overhearing his wife's seducer's pleading, considers the fate of husbands ((1735) Henry Fielding, The Universal Gallant, Act 5) | 308 |
104 | Trapwit directs his actors and explains the play ((1736) Henry Fielding, Pasquin, Act 2, Sc. 1) | 310 |
105 | Fustian recites his play's dedication for the edification of his friends ((1736) Henry Fielding, Pasquin, Act 3, Sc. 1) | 312 |
106 | Fustian catalogues the miseries of the playwright ((1736) Henry Fielding, Pasquin, Act 4, Sc. 1) | 314 |
107 | Knowell notes how the greatest corrupters of children are their parents ((1751) Ben Jonson, Everyman in His Humour, ad. David Garrick, Act 2, Sc. 2) | 315 |
108 | Captain Bobadill explains how, with twenty men trained by himself, he could eradicate an army of forty thousand ((1751) Ben Jonson, Everyman in His Humour, ad. David Garrick, Act 4, Sc. 2) | 318 |
109 | Don John, mortified, finds himself saddled with a crying baby ((1754) Beaumont and Fletcher, The Chances, ad. David Garrick, Act 1, Sc. 5) | 320 |
110 | Sir Anthony Absolute, in a violent passion, demands his son marry as he commands, or else ((1775) Richard Brinsley Sheridan, The Rivals, Act 2, Sc. 1) | 323 |
111 | Sir Peter tries to fathom why his wife, always in the wrong, quarrels with him ((1777) Richard Brinsley Sheridan, The School for Scandal, Act 1, Sc. 2) | 325 |
112 | Censor is censorious against Mrs. Voluble's discourse ((1779) Francis Burney, The Witlings, Act 1, Sc. 1) | 327 |
113 | Dabbler the Poet is lost in the throes of composition ((1779) Francis Burney, The Witlings, Act 3, Sc. 1) | 329 |
XIX Century German/Scandinavian | ||
114 | Straamand, the village pastor, defends his "barnyard fowl's" life against the poet Falk's "soaring eagle" ((1862) Henrid Ibsen, Love's Comedy, tr. M. Zelenak and L. Katz, Act 3) | 334 |
115 | Gulstad, who offers ordinary marriage, contends with Falk's passionate offer of the extraordinary ((1862) Henrik Ibsen, Love's Comedy, tr. M. Zelenak and L. Katz, Act 3) | 336 |
116 | Peer Gynt peels an onion which sums up his life ((1867) Henrik Ibsen, Peer Gynt, tr. Wm. Archer, Act 5, Sc. 5) | 340 |
XIX/XX Century English | ||
117 | Sir Robert Chiltern confesses to the youthful crime that has given him his wealth and position ((1895) Oscar Wilde, An Ideal Husband, Act 2) | 346 |
118 | Julius Caesar reads the riddle of the sphinx ((1899) Bernard Shaw, Caesar and Cleopatra, Act 1) | 348 |
119 | Shaw, through the mouth of young Aubrey, mourns the unhinging of Western Civilization's values following the First World War ((1932) Bernard Shaw, Too True To Be Good, Act 3) | 350 |
Glossary of Greek and Roman Names | 355 |
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Add Classical Monologues From Aeschylus to Bernard Shaw, Volume 2: Older Men's Roles, (Applause Books). Sure to become a mainstay of any actor's shelf, Applause is pleased to present the first two volumes of Leon Katz's monumental monologue collection. Covering the full scope of Western Drama, from the Greeks to the 20th Century, these two, Classical Monologues From Aeschylus to Bernard Shaw, Volume 2: Older Men's Roles to the inventory that you are selling on WonderClubX
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Add Classical Monologues From Aeschylus to Bernard Shaw, Volume 2: Older Men's Roles, (Applause Books). Sure to become a mainstay of any actor's shelf, Applause is pleased to present the first two volumes of Leon Katz's monumental monologue collection. Covering the full scope of Western Drama, from the Greeks to the 20th Century, these two, Classical Monologues From Aeschylus to Bernard Shaw, Volume 2: Older Men's Roles to your collection on WonderClub |