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Contributors | ||
Acknowledgments | ||
Introduction | 1 | |
1 | What Feels an American?: Evident Selves and Alienable Emotions in the New Man's World | 23 |
2 | Loving with a Vengeance: Wieland, Familicide and the Crisis of Masculinity in the Early Nation | 44 |
3 | "The Manliest Relations to Men": Thoreau on Privacy, Intimacy, and Writing | 64 |
4 | Manly Tears: Men's Elegies for Children in Nineteenth-Century America | 88 |
5 | How to be a (Sentimental) Race Man: Mourning and Passing in W. E. B. Du Bois's The Souls of Black Folk | 106 |
6 | The Law of the Heart: Emotional Injury and Its Fictions | 124 |
7 | "The Sort of Thing You Should Not Admit": Hemingway's Aesthetics of Emotional Restraint | 141 |
8 | Road Work: Rereading Kerouac's Midcentury Melodrama of Beset Sonhood | 167 |
9 | Men's Tears and the Roles of Melodrama | 185 |
10 | Men's Liberation, Men's Wounds: Emotion, Sexuality, and the Reconstruction of Masculinity in the 1970s | 205 |
11 | The Politics of Feeling: Men, Masculinity, and Mourning on the Capital Mall | 230 |
Bibliography | 255 | |
Index | 277 |
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Add Boys Don't Cry?: Rethinking Narratives of Masculinity and Emotion in the U.S., We take for granted the idea that white, middle-class, straight masculinity connotes total control of emotions, emotional inexpressivity, and emotional isolation. That men repress their feelings as they seek their fortunes in the competitive worlds of bus, Boys Don't Cry?: Rethinking Narratives of Masculinity and Emotion in the U.S. to the inventory that you are selling on WonderClubX
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Add Boys Don't Cry?: Rethinking Narratives of Masculinity and Emotion in the U.S., We take for granted the idea that white, middle-class, straight masculinity connotes total control of emotions, emotional inexpressivity, and emotional isolation. That men repress their feelings as they seek their fortunes in the competitive worlds of bus, Boys Don't Cry?: Rethinking Narratives of Masculinity and Emotion in the U.S. to your collection on WonderClub |