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Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8 Book

Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8
Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8, Tail-rhyme romance unites a French genre with a continental stanza form, so why was it developed only in Middle English literature? For English audiences, tail-rhyme becomes inextricably linked with the romance genre in a way that no other verse form does, Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8 has a rating of 3 stars
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Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8, Tail-rhyme romance unites a French genre with a continental stanza form, so why was it developed only in Middle English literature? For English audiences, tail-rhyme becomes inextricably linked with the romance genre in a way that no other verse form does, Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8
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  • Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8
  • Written by author Rhiannon Purdie
  • Published by D.S. Brewer, September 2008
  • Tail-rhyme romance unites a French genre with a continental stanza form, so why was it developed only in Middle English literature? For English audiences, tail-rhyme becomes inextricably linked with the romance genre in a way that no other verse form does
  • A reappraisal of the tail-rhyme form so strongly associated with medieval English romance, and how it became so appropriated.
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Introduction Tail-Rhyme Romance and English Literary History 1

1 Stanza Origins 13

2 The Anglo-Norman and Early Middle English Inheritance 32

3 Manuscripts, Scribes, and Transmission 66

4 The Auchinleck Manuscript and the Beginnings of Tail-Rhyme Romance 93

5 The Geography of Tail-Rhyme Romance 126

App The Survey of Provenance 153

Bibliography 243

Index of Manuscripts Cited 263

General Index 265


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Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8, Tail-rhyme romance unites a French genre with a continental stanza form, so why was it developed only in Middle English literature? For English audiences, tail-rhyme becomes inextricably linked with the romance genre in a way that no other verse form does, Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8

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Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8, Tail-rhyme romance unites a French genre with a continental stanza form, so why was it developed only in Middle English literature? For English audiences, tail-rhyme becomes inextricably linked with the romance genre in a way that no other verse form does, Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8

Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8

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Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8, Tail-rhyme romance unites a French genre with a continental stanza form, so why was it developed only in Middle English literature? For English audiences, tail-rhyme becomes inextricably linked with the romance genre in a way that no other verse form does, Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8

Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature, Vol. 8

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