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Introduction | ||
A Note on the Second Edition, 2003 | ||
The Quaker Graveyard in Nantucket | 3 | |
Memories of West Street and Lepke | 8 | |
Man and Wife | 9 | |
Skunk Hour | 10 | |
The Mouth of the Hudson | 12 | |
For the Union Dead | 13 | |
Waking Early Sunday Morning | 15 | |
History | 18 | |
The Nihilist as Hero | 18 | |
Reading Myself | 19 | |
Obit | 19 | |
Fishnet | 20 | |
Dolphin | 20 | |
Epilogue | 21 | |
The Bight | 22 | |
Over 2,000 Illustrations and a Complete Concordance | 23 | |
At the Fishhouses | 25 | |
The Shampoo | 28 | |
Brazil, January 1, 1502 | 28 | |
Under the Window: Ouro Preto | 30 | |
The Armadillo | 32 | |
Filling Station | 33 | |
In the Waiting Room | 34 | |
One Art | 37 | |
Poem | 38 | |
Cuttings | 40 | |
Root Cellar | 41 | |
The Shape of the Fire | 41 | |
The Waking | 44 | |
I Knew a Woman | 45 | |
In a Dark Time | 46 | |
The Moon and the Night and the Men | 47 | |
From the Dream Songs (1, 4, 5, 14, 29, 46, 76, 77, 143, 257, 384) | 48 | |
90 North | 56 | |
Eighth Air Force | 57 | |
The Death of the Ball Turret Gunner | 58 | |
The Woman at the Washington Zoo | 58 | |
Cinderella | 59 | |
Next Day | 60 | |
Well Water | 62 | |
Masts at Dawn | 63 | |
Birth of Love | 65 | |
Rattlesnake Country | 66 | |
Evening Hawk | 72 | |
The Kingfishers | 73 | |
For My Contemporaries | 80 | |
To My Wife | 81 | |
From a Century of Epigrams 9 (29, 53, 55, 62, 76) | 81 | |
Night, Death, Mississippi | 83 | |
Frederick Douglass | 85 | |
Middle Passage | 85 | |
Amsterdam Letter | 91 | |
Cracked Looking Glass | 93 | |
After Reading The Country of the Pointed Firs | 94 | |
Teleology | 97 | |
Unconscious Came a Beauty | 98 | |
Stone Gullets | 99 | |
Staying at Ed's Place | 99 | |
Strawberrying | 100 | |
A Poem Beginning With a Line by Pindar | 101 | |
Styx | 109 | |
The Illiterate | 111 | |
Thoughts on One's Head | 112 | |
Consequences | 113 | |
Country Stars | 115 | |
The Jain Bird Hospital in Delhi | 115 | |
Storm Windows | 117 | |
Writing | 118 | |
Money | 119 | |
The Dependencies | 120 | |
Learning the Trees | 121 | |
Because You Asked About the Line Between Prose and Poetry | 122 | |
The War in the Air | 123 | |
A Baroque Wall-Foundation in the Villa Sciarra | 124 | |
Looking Into History | 126 | |
Love Calls Us to the Things of This World | 128 | |
Mind | 129 | |
Advice to a Prophet | 130 | |
Walking to Sleep | 131 | |
Hamlen Brook | 135 | |
Homework | 136 | |
Into Mexico | 137 | |
The Twins | 138 | |
A View | 139 | |
The Stream | 141 | |
The Pruned Tree | 145 | |
The Wars | 146 | |
Menage a Trois | 147 | |
Elegy for My Sister | 149 | |
Rules of Sleep | 152 | |
Einstein's Bathrobe | 153 | |
The Heaven of Animals | 155 | |
The Hospital Window | 156 | |
The Sheep Child | 158 | |
The Strength of Fields | 160 | |
A Hill | 162 | |
Third Avenue in Sunlight | 163 | |
"More Light! More Light!" | 164 | |
Peripeteia | 165 | |
The Feast of Stephen | 168 | |
The Crystal Lithium | 170 | |
Shimmer | 175 | |
Korean Mums | 176 | |
Clouds | 178 | |
The Ache of Marriage | 179 | |
Intrusion | 180 | |
Seeing for a Moment | 180 | |
Prisoners | 181 | |
Graves at Elkhorn | 183 | |
The Lady in Kicking Horse Reservoir | 184 | |
Degrees of Gray in Philipsburg | 186 | |
The River Now | 187 | |
An Afternoon at the Beach | 188 | |
Amor Vincit Omnia | 189 | |
From Autumn Shade (3, 6, 8, 9) | 189 | |
A Muse of Water | 192 | |
Amusing Our Daughters | 194 | |
From Pro Feminia (I, II) | 195 | |
The Evening of the Mind | 198 | |
Men at Forty | 199 | |
The Tourist from Syracuse | 200 | |
Variations on a Text by Vallejo | 201 | |
The Assassination | 202 | |
Mule Team and Poster | 202 | |
To the Harbormaster | 204 | |
A Step Away from Them | 205 | |
Meditations in an Emergency | 206 | |
Why I Am Not a Painter | 208 | |
The Day Lady Died | 208 | |
Having a Coke With You | 209 | |
Ave Maria | 211 | |
The Best Slow Dancer | 212 | |
The Naval Trainees Learn How to Jump Overboard | 213 | |
The Excursion of the Speech and Hearing Class | 214 | |
Five Dawn Skies in November | 215 | |
Making Camp | 215 | |
The Source | 216 | |
I Know a Man | 218 | |
The Rescue | 219 | |
Air: "The Love of a Woman" | 219 | |
For Friendship | 220 | |
For Love | 220 | |
Again | 222 | |
The World | 223 | |
From Howl (I) | 225 | |
Sunflower Sutra | 229 | |
My Sad Self | 231 | |
Wales Visitation | 233 | |
April Inventory | 237 | |
From Heart's Needle (2, 6) | 239 | |
Mementos, 1 | 241 | |
A Locked House | 242 | |
A Renewal | 244 | |
Voices from the Other World | 245 | |
Days of 1964 | 246 | |
Willowware Cup | 248 | |
Lost in Translation | 249 | |
The Animals | 256 | |
Some Last Questions | 257 | |
The River of Bees | 257 | |
For the Anniversary of My Death | 258 | |
The Asians Dying | 259 | |
For a Coming Extinction | 260 | |
The Night of the Shirts | 261 | |
Bread | 261 | |
St. Vincent's | 262 | |
He Held Radical Light | 265 | |
Gravelly Run | 266 | |
Corsons Inlet | 267 | |
Reflective | 271 | |
Terrain | 271 | |
The City Limits | 272 | |
Glazunoviana | 274 | |
Soonest Mended | 275 | |
As One Put Drunk Into the Packet-Boat | 277 | |
Pyrography | 278 | |
And Ut Pictura Poesis Is Her Name | 281 | |
Syringa | 282 | |
My Erotic Double | 284 | |
At the Executed Murderer's Grave | 286 | |
Autumn Begins in Martins Ferry, Ohio | 289 | |
Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota | 290 | |
Beginning | 290 | |
A Blessing | 291 | |
In Response to a Rumor That the Oldest Whorehouse in Wheeling, West Virginia, Has Been Condemned | 292 | |
A Winter Daybreak Above Vence | 293 | |
Vapor Trail Reflected in the Frog Pond | 295 | |
Last Songs | 296 | |
The Bear | 297 | |
After Making Love We Hear Footsteps | 300 | |
The Man Splitting Wood in the Daybreak | 301 | |
The Vow | 302 | |
The Man on the Hotel Room Bed | 302 | |
Her Kind | 304 | |
Music Swims Back to Me | 305 | |
The Truth the Dead Know | 306 | |
The Starry Night | 307 | |
With Mercy for the Greedy | 307 | |
Wanting to Die | 308 | |
The Room of My Life | 310 | |
The Horse | 311 | |
They Feed They Lion | 313 | |
Belle Isle, 1949 | 314 | |
You Can Have It | 314 | |
Rain Downriver | 316 | |
Sweet Will | 317 | |
Family History | 320 | |
The Dream | 324 | |
From All of Us Here | 325 | |
The Night Mirror | 328 | |
From Powers of Thirteen (3, 29, 69, 82, 87, 130) | 329 | |
Swan and Shadow | 333 | |
The Mad Potter | 334 | |
The Venetian Interior, 1889 | 338 | |
At the Monument to Pierre Louys | 342 | |
Snapshots of a Daughter-in-Law | 345 | |
Planetarium | 349 | |
The Burning of Paper Instead of Children | 351 | |
Paula Becker to Clara Westhoff | 354 | |
For the Record | 357 | |
For an Album | 358 | |
Mid-August at Sourdough Mountain Lookout | 359 | |
Riprap | 360 | |
Burning Island | 361 | |
The Bath | 362 | |
I Went Into the Maverick Bar | 365 | |
Axe Handles | 366 | |
The Colossus | 368 | |
The Hanging Man | 369 | |
Morning Song | 370 | |
Daddy | 370 | |
Fever 103[degree] | 373 | |
Ariel | 375 | |
Lady Lazarus | 376 | |
Edge | 378 | |
Words | 379 | |
Keeping Things Whole | 381 | |
Coming to This | 382 | |
The Prediction | 382 | |
"The Dreadful Has Already Happened" | 383 |
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Add The Vintage Book of Contemporary American Poetry, Dazzling in its range, exhilarating in its immediacy and grace, this collection gathers together, from every region of the country and from the past forty years, the poems that continue to shape our imaginations. From Robert Lowell and Elizabeth Bishop, J, The Vintage Book of Contemporary American Poetry to the inventory that you are selling on WonderClubX
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Add The Vintage Book of Contemporary American Poetry, Dazzling in its range, exhilarating in its immediacy and grace, this collection gathers together, from every region of the country and from the past forty years, the poems that continue to shape our imaginations. From Robert Lowell and Elizabeth Bishop, J, The Vintage Book of Contemporary American Poetry to your collection on WonderClub |