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| Foreword | 6 | |
| Acknowledgments | 7 | |
| The Last Picture Show | 9 | |
| Artists and Photographs | 20 | |
| "I'm Not Really a Photographer" | 22 | |
| The Anti-Photographers | 24 | |
| "Marks of Indifference": Aspects of Photography in, or as, Conceptual Art | 32 | |
| Vito Acconci | 45 | |
| Bas Jan Ader | 47 | |
| Giovanni Anselmo | 50 | |
| Eleanor Antin | 52 | |
| John Baldessari | 54 | |
| Bernd and Hilla Becher | 58 | |
| Joseph Beuys | 61 | |
| Mel Bochner | 64 | |
| Christian Boltanski | 67 | |
| Marcel Broodthaers | 70 | |
| Victor Burgin | 72 | |
| Sarah Charlesworth | 74 | |
| Bruce Conner | 78 | |
| Jan Dibbets | 80 | |
| Valie Export | 82 | |
| Alternative Pictures: Conceptual Art and the Artistic Emancipation of Photography in Europe | 86 | |
| Photographs of Motion | 97 | |
| The Weight of Time | 99 | |
| Art through the Camera's Eye | 105 | |
| Misunderstandings (A Theory of Photography) | 107 | |
| The Adventures of the Picture Form in the History of Photography | 113 | |
| Hans-Peter Feldmann | 129 | |
| Peter Fischli and David Weiss | 131 | |
| Gilbert & George | 136 | |
| Dan Graham | 138 | |
| Hans Haacke | 143 | |
| Douglas Huebler | 146 | |
| Yves Klein | 148 | |
| Imi Knoebel | 149 | |
| Silvia Kolbowski | 153 | |
| Jeff Koons | 155 | |
| Barbara Kruger | 156 | |
| David Lamelas | 158 | |
| Louise Lawler | 160 | |
| Sherrie Levine | 163 | |
| Sol LeWitt | 168 | |
| Richard Long | 174 | |
| Cancellation | 177 | |
| Notes on My Photographs, 1969-1970 | 183 | |
| Notebook Excerpts, 1969 | 184 | |
| The Austerlitz Effect: Architecture, Time, Photoconceptualism | 185 | |
| My Files of Movie Stills | 195 | |
| Disposable Matter: Photoconceptual Magazine Work of the 1960s | 196 | |
| The Photographic Activity of Postmodernism | 204 | |
| Gordon Matta-Clark | 208 | |
| Ana Mendieta | 211 | |
| Mario Merz | 212 | |
| Nasreen Mohamedi | 214 | |
| Bruce Nauman | 218 | |
| Helio Oiticica and Neville d'Almeida | 226 | |
| Dennis Oppenheim | 228 | |
| Giulio Paolini | 230 | |
| Giuseppe Penone | 232 | |
| Adrian Piper | 234 | |
| Sigmar Polke | 238 | |
| Richard Prince | 240 | |
| Statement | 244 | |
| Incorrect | 245 | |
| The 8-Track Photograph | 246 | |
| The Velvet Well | 248 | |
| Without Walls | 249 | |
| Glossolalia | 259 | |
| The Latest Picture | 262 | |
| Charles Ray | 267 | |
| Martha Rosler | 272 | |
| Allen Ruppersberg | 274 | |
| Edward Ruscha | 278 | |
| Cindy Sherman | 284 | |
| Laurie Simmons | 290 | |
| Robert Smithson | 294 | |
| Ger Van Elk | 298 | |
| Jeff Wall | 301 | |
| Andy Warhol | 302 | |
| Robert Watts | 310 | |
| William Wegman | 312 | |
| James Welling | 317 | |
| Hannah Wilke | 321 | |
| Exhibition Checklist | 322 | |
| Index | 330 | |
| Lenders to the Exhibition | 333 | |
| Reproduction Credits | 334 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Brendan Love
reviewed The Last Picture Show: Artists Using Photography 1960-1982 on September 21, 2007 The Last Picture Show: Artists Using Photography 1960-1982
This is a compilation of some of the most weighty art theory concerning postmodern photography. Yeah, not for everybody. If you study photo as art you should probably own this book.
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Add The Last Picture Show: Artists Using Photography 1960-1982, In 1976 critic Nancy Foote wrote that for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer. Traversing the fine line between artists who are photographers and artists who use , The Last Picture Show: Artists Using Photography 1960-1982 to the inventory that you are selling on WonderClubX
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Add The Last Picture Show: Artists Using Photography 1960-1982, In 1976 critic Nancy Foote wrote that for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer. Traversing the fine line between artists who are photographers and artists who use , The Last Picture Show: Artists Using Photography 1960-1982 to your collection on WonderClub |
