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Acknowledgments | ||
Introduction / Questioning Identity | 1 | |
I | The Nation Exposed between the Wars | |
1 | Peasants in Paris: Representations of Rural France in the 1937 International Exposition | 19 |
2 | Colonialism Exposed: Miss France d'Outre-mer, 1937 | 50 |
3 | Celine on the 1937 Paris Exposition Universelle as Jewish Conspiracy | 66 |
II | Colonial Projections | |
4 | Pagnol and the Paradoxes of Frenchness | 91 |
5 | Heart of Darkness, Heart of Light: The Civilizing Mission in L'Atlantide | 113 |
III | Screening Vichy | |
6 | Collaboration and Context: Lacombe Lucien, the Mode Retro, and the Vichy Syndrome | 139 |
7 | Family Fictions and Reproductive Realities in Vichy France: Claude Chabrol's Une Affaire de femmes | 156 |
8 | L'Histoire ressuscitee: Jewishness and Scapegoating in Julien Duvivier's Panique | 178 |
IV | Memory as Malaise and Subversion | |
9 | Truffaut's Adele in the New World: Autobiography as Subversion of History | 195 |
10 | "Une Certain Idee de la France": The Algeria Syndrome and Struggles over "French" Identity | 215 |
11 | La Plus Grande France: French Cultural Identity and Nation Building under Mitterrand | 233 |
12 | The Coluche Effect | 259 |
Afterword. Identity: Never More | 272 | |
Contributors | 283 | |
Index | 287 |
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