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Essays, First Series Book

Essays, First Series
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  • Essays, First Series
  • Written by author Ralph Waldo Emerson
  • Published by BiblioBazaar, April 2009
  • General Books publication date: 2009Original publication date: 1850Original Publisher: J. Munroe Subjects: Humor / Form / EssaysLiterary Collections / Essays Notes: This is a black and white OCR reprint of the original. It h
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General Books publication date: 2009
Original publication date: 1850
Original Publisher: J. Munroe Subjects: Humor / Form / Essays

Literary Collections / Essays Notes: This is a black and white OCR reprint of the original. It has no illustrations and there may be typos or missing text.
When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free.
Excerpt: AIT. Give to barrows, trays, and pans Grace and glimmer of romance; Bring the moonlight into noon Hid in gleaming piles of stone ; On the city's paved street Plant gardens lined with lilac sweet; Let spouting fountains cool the air, Singing in the sun-baked square; Let statue, picture, park, and hall, Ballad, flag, and festival, The past restore, the day adorn, And make each morrow a new morn. So shall the drudge in dusty frock Spy behind the city clock Retinues of airy kings, Skirts of angels, starry wings, His fathers shining in bright fables, His children fed at heavenly tables. 'T is the privilege of Art Thus to play its cheerful part, Man in Earth to acclimate, And bend the exile to his fate, And, moulded of one element With the days and firmament, Teach him on these as stairs to climb, And live on even terms with Time; Whilst upper life the slender rill Of human sense doth overfill. ESSAY XII. ARt. Because the soul is progressive, it never quite repeats itself, but in every act attempts the production of a new and fairer whole. This appears in works both of the useful and the fine arts, if we employ the popular distinction of works according to their aim either at use or beauty. Thus in our fine arts, not imitation, but creation, is the aim. In landscapes, the painter should give the suggestion of a fairer creation than we know. The details, the prose of nature he should omit, and give us only the spirit and splendor. He should know that the lan...


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