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Painting Shakespeare: The Artist as Critic, 1720-1820 Book

Painting Shakespeare: The Artist as Critic, 1720-1820
Painting Shakespeare: The Artist as Critic, 1720-1820, Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editio, Painting Shakespeare: The Artist as Critic, 1720-1820 has a rating of 3 stars
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Painting Shakespeare: The Artist as Critic, 1720-1820, Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editio, Painting Shakespeare: The Artist as Critic, 1720-1820
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  • Painting Shakespeare: The Artist as Critic, 1720-1820
  • Written by author Stuart Sillars
  • Published by Cambridge University Press, January 2006
  • Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editio
  • A critical history of Shakespeare painting in its richest period - 1720-1820.
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Book Categories

Authors

1Placing Shakespeare painting1
2Play, iconography and social discourse in Hogarth's Shakespeare37
3Landscape, readership and convention, 1740-9061
4Fuseli and the uses of iconography98
5George Romney : meditations of a volatile fancy133
6'Shakespeare in riper years gave me his hand' : William Blake159
7'General ideas and the familiar pathetic' : neo-classical Shakespeare and Joshua Reynolds186
8Fuseli, nature and supernature219
9'A magnificent scheme, if it can but be effected' : Boydell, criticism and appropriation254
10Summations and departures300


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Painting Shakespeare: The Artist as Critic, 1720-1820, Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editio, Painting Shakespeare: The Artist as Critic, 1720-1820

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Painting Shakespeare: The Artist as Critic, 1720-1820, Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editio, Painting Shakespeare: The Artist as Critic, 1720-1820

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Painting Shakespeare: The Artist as Critic, 1720-1820, Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editio, Painting Shakespeare: The Artist as Critic, 1720-1820

Painting Shakespeare: The Artist as Critic, 1720-1820

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