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1 | Technicolor | 13 |
2 | Color consciousness | 24 |
3 | Minor hazards : Disney and the color adventure | 30 |
4 | The post-war struggle for colour | 40 |
5 | Remarks on color film | 53 |
6 | A Bergsonian film : The Picasso mystery | 57 |
7 | Chromophobia | 63 |
8 | Color, the formless, and cinematic eros | 76 |
9 | The colors of haptic space : black, blue and white in moving images | 88 |
10 | On colour | 105 |
11 | Banishing green | 118 |
12 | Reflections on color | 121 |
13 | Of taste and colors | 123 |
14 | Painting film | 126 |
15 | Hitchcock's color designs | 131 |
16 | All that heaven allows : color, narrative space, and melodrama | 145 |
17 | Demonstrating three-strip technicolor : Becky Sharp | 154 |
18 | Costuming and the color system of Leave her to heaven | 161 |
19 | The articulation of color in a filmic system : Deux ou trois choses que je sais d'elle | 170 |
20 | Michelangelo Antonioni's Red desert : painting as ventriloquism and color as movement (architecture and painting) | 183 |
21 | Blue | 192 |
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Color, The Film Reader, This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.
Set out in thematic sections, the book addresses key issues in the field including:
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Color, The Film Reader, This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.
Set out in thematic sections, the book addresses key issues in the field including:
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