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Acknowledgments | ||
Introduction | ||
Abbreviations | ||
1 | The Background: Music and German Society, 1918-1945 | 1 |
2 | Musicologists on Their Role in Modern German Society | 31 |
3 | The Organization and Reorganization of Musicological Scholarship | 58 |
4 | Musicology in the University | 88 |
5 | New Opportunities outside the University, 1933-1945 | 125 |
6 | The Shaping of New Methodologies | 165 |
7 | Attempts to Define "Germanness" in Music | 200 |
8 | Denazification and the German Musicological Legacy | 235 |
Notes | 267 | |
Bibliography | 341 | |
Index | 357 |
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Add Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich, This important book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor, Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich to the inventory that you are selling on WonderClubX
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Add Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich, This important book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor, Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich to your collection on WonderClub |