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Acknowledgments | ||
Introduction | ||
Ch. 1 | Neo-Baroque | 1 |
Ch. 2 | Gay and Baroque Literatures | 28 |
Ch. 3 | Satiric Poetry | 54 |
Ch. 4 | Agustin Lazo (1896-1971): Xavier Villaurrutia's Shadow | 69 |
Ch. 5 | Guadalupe Marin: The Madwoman in the Murals | 94 |
Ch. 6 | Gossip, Power, and the Culture of Celebrity | 117 |
Notes | 141 | |
Bibliography | 157 | |
Index | 169 |
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Add The Contemporaneos Group: Rewriting Mexico in the Thirties and the Forties, In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a g, The Contemporaneos Group: Rewriting Mexico in the Thirties and the Forties to the inventory that you are selling on WonderClubX
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Add The Contemporaneos Group: Rewriting Mexico in the Thirties and the Forties, In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a g, The Contemporaneos Group: Rewriting Mexico in the Thirties and the Forties to your collection on WonderClub |