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Pictures of Romance: Form Against Content Book

Pictures of Romance: Form Against Content
Pictures of Romance: Form Against Content, Using current narrative theory, Steiner identifies the factors that prompt us to read a picture as a story: multiple episodes, the repetition of a subject across those episodes, the evocation of realist conventions. Steiner then takes up this history at t, Pictures of Romance: Form Against Content has a rating of 3 stars
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Pictures of Romance: Form Against Content, Using current narrative theory, Steiner identifies the factors that prompt us to read a picture as a story: multiple episodes, the repetition of a subject across those episodes, the evocation of realist conventions. Steiner then takes up this history at t, Pictures of Romance: Form Against Content
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  • Pictures of Romance: Form Against Content
  • Written by author Wendy Steiner
  • Published by University of Chicago Press, December 1991
  • Using current narrative theory, Steiner identifies the factors that prompt us to read a picture as a story: multiple episodes, the repetition of a subject across those episodes, the evocation of realist conventions. Steiner then takes up this history at t
  • How do pictures tell stories? Why does the literary romance so often refer to paintings and other visual art objects? Beginning with these two seemingly unrelated questions, Wendy Steiner reveals an intricate exchange between the visual arts and the liter
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Book Categories

Authors

List of Illustrations
Acknowledgments
Introduction
1. Pictorial Narrativity
2. "As Long as Eyes Can See and Beauty Reigns": The Visual Arts in Romance
3. Empowering the Perceiver: Keats
4. Virgins, Copyists, and the Gentle Reader: Hawthorne
5. A Renaissance-Modernist Dalliance: Joyce and Picasso
6. Divide and Narrate: Seurat, Warhol, and Lichtenstein
Conclusion
Notes
Bibliography
Index


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Pictures of Romance: Form Against Content, Using current narrative theory, Steiner identifies the factors that prompt us to read a picture as a story: multiple episodes, the repetition of a subject across those episodes, the evocation of realist conventions. Steiner then takes up this history at t, Pictures of Romance: Form Against Content

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Pictures of Romance: Form Against Content, Using current narrative theory, Steiner identifies the factors that prompt us to read a picture as a story: multiple episodes, the repetition of a subject across those episodes, the evocation of realist conventions. Steiner then takes up this history at t, Pictures of Romance: Form Against Content

Pictures of Romance: Form Against Content

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Pictures of Romance: Form Against Content, Using current narrative theory, Steiner identifies the factors that prompt us to read a picture as a story: multiple episodes, the repetition of a subject across those episodes, the evocation of realist conventions. Steiner then takes up this history at t, Pictures of Romance: Form Against Content

Pictures of Romance: Form Against Content

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