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Acknowledgments | ||
Introduction | ||
Suggestions for Further Reading | ||
A Note on the Text | ||
Renascence | 3 | |
Interim | 11 | |
The Suicide | 19 | |
God's World | 24 | |
Afternoon on a Hill | 25 | |
Sorrow | 26 | |
Tavern | 27 | |
Ashes of Life | 28 | |
The Little Ghost | 29 | |
Kin to Sorrow | 31 | |
Three Songs of Shattering | 32 | |
The Shroud | 34 | |
The Dream | 35 | |
Indifference | 36 | |
Witch-Wife | 37 | |
Blight | 38 | |
When the Year Grows Old | 40 | |
Thou art not lovelier than lilacs, - no | 42 | |
Time does not bring relief; you all have lied | 43 | |
Mindful of you the sodden earth in spring | 44 | |
Not in this chamber only at my birth | 45 | |
If I should learn, in some quite casual way | 46 | |
Bluebeard | 47 | |
First Fig | 51 | |
Second Fig | 51 | |
Recuerdo | 52 | |
Thursday | 53 | |
To the Not Impossible Him | 54 | |
Macdougal Street | 55 | |
The Singing-Woman from the Wood's Edge | 57 | |
She Is Overheard Singing | 59 | |
The Prisoner | 61 | |
The Unexplorer | 62 | |
Grown-up | 63 | |
The Penitent | 64 | |
Daphne | 65 | |
Portrait by a Neighbour | 66 | |
Midnight Oil | 67 | |
The Merry Maid | 68 | |
To Kathleen | 69 | |
To S. M. | 70 | |
The Philosopher | 71 | |
I do but ask that you be always fair | 72 | |
Love, though for this you riddle me with darts | 73 | |
I think I should have loved you presently | 74 | |
Oh, think not I am faithful to a vow | 75 | |
I shall forget you presently, my dear | 76 | |
Spring | 79 | |
City Trees | 80 | |
The Blue-Flag in the Bog | 81 | |
Journey | 89 | |
Eel-Grass | 91 | |
Elegy Before Death | 92 | |
The Bean-Stalk | 93 | |
Weeds | 95 | |
Passer Mortuus Est | 96 | |
Pastoral | 97 | |
Assault | 98 | |
Travel | 99 | |
Low-Tide | 100 | |
Song of a Second April | 101 | |
Rosemary | 102 | |
The Poet and His Book | 103 | |
Alms | 108 | |
Inland | 110 | |
To a Poet that Died Young | 111 | |
Wraith | 113 | |
Ebb | 115 | |
Elaine | 116 | |
Burial | 117 | |
Mariposa | 118 | |
The Little Hill | 119 | |
Doubt No More that Oberon | 120 | |
Lament | 121 | |
Exiled | 122 | |
The Death of Autumn | 124 | |
Ode to Silence | 125 | |
Memorial to D. C. | 133 | |
Wild Swans | 139 | |
We talk of taxes, and I call you friend | 140 | |
Into the golden vessel of great song | 141 | |
Not with libations, but with shouts and laughter | 142 | |
Only until this cigarette is ended | 143 | |
Once more into my arid days like dew | 144 | |
No rose that in a garden ever grew | 145 | |
When I too long have looked upon your face | 146 | |
And you as well must die, beloved dust | 147 | |
Let you not say of me when I am old | 148 | |
Oh, my beloved, have you thought of this | 149 | |
As to some lovely temple, tenantless | 150 | |
Cherish you then the hope I shall forget | 151 | |
Explanatory Notes | 153 | |
Index of Titles and First Lines | 169 |
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Add Early Poems, In finely crafted lyrics and sonnets, Edna St. Vincent Millay gave voice to her generation's claim to personal freedom and earned a reputation as a sexually liberated free-thinker. But her subject matter varies widely - from meditations on nature, love, l, Early Poems to the inventory that you are selling on WonderClubX
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Add Early Poems, In finely crafted lyrics and sonnets, Edna St. Vincent Millay gave voice to her generation's claim to personal freedom and earned a reputation as a sexually liberated free-thinker. But her subject matter varies widely - from meditations on nature, love, l, Early Poems to your collection on WonderClub |