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Project Sylpheed

Project Sylpheed

Project Sylpheed

Project Sylpheed , also known as Project Sylpheed: Arc of Deception in North America, is a space simulation game for the Xbox 360 console. It was developed by SETA and published by Square Enix and Microsoft. The game is acknowledged as the spiritual successor to the Silpheed video game series, which comprised 3D rail shooters: players pilot a starfighter, shooting incoming enemies on a vertically scrolling third-person playing field. Project Sylpheed uses full 3D computer graphics and allows the player to instead pilot his or her spacecraft in any direction.

Project Sylpheed's plot is set in a fictional 27th century where an interstellar human empire is about to erupt in a civil war. The game pits the protagonist and his spacecraft, configured with a variety of weapons and augmentations, against masses of small enemy fighters and large capital warships. The game is interjected at various points with cutscenes that reveal the story. Critical opinions on Project Sylpheed were mixed; reviews varied from considering it an exciting cinematic shooter to calling it a clichéd and complicated simulator. Microsoft considered the game a commercial success, branding it one of Xbox 360's Platinum Collection.

Project Sylpheed Plot

Project Sylpheed's plot has the style and substance of typical anime, depicting characters as the focal points of events rather than individual pawns in the grand scheme of things. Told through an hour's worth of animated cutscenes, the story starts in the Lebendorf star system where Faraway's squadron is ambushed by ADAN forces. Losing a pilot, the squadron fights its way out, along with its mother ship—the Acropolis. As Faraway and his team retreat, Mason warns him to leave the TCAF on the account of their friendship. Acropolis withdraws to the planet Hargenteen where the TCAF is massing against ADAN's onslaught.

After repairs, the carrier joins a task force on a mission, attacking deep into the enemy's territory to draw away part of ADAN's fleet. The task force commander, however, fell for an ambush. Panicking, he orders a retreat, abandoning the Acropolis, which was investigating nearby Acheron. While defending the carrier, Faraway shoots down Mason's fighter. Landing where Mason crashed, Faraway engages him in a fistfight and learns the story behind Acheron's devastation. After Mason's rescue by ADAN, Faraway returns to Acropolis. The mothership retreats to Hargateen and rejoins its defenders, holding off several waves of ADAN attacks. However, Egan arrives with her superweapon, the Promethus Driver, and destroys most of the TCAF defenders and several ADAN ships with a single shot that also devastates the planet's surface. Too few to mount an effective assault against ADAN, the remaining TCAF ships, including Acropolis, retreat to Earth. Bent on revenge, Egan announces Earth as ADAN's next target despite Mason's heavy disapproval.

Scouting ahead of ADAN's main force, Mason's squadron is challenged and destroyed by Faraway's fighters. Mason is captured and Faraway persuades him to defect; the TCAF learns the weakness of the Promethus Driver from Mason. In the final battle, Mason flies alongside Faraway, destroying many of ADAN's ships and sacrificing himself to clear a way for his friend to reach the Promethus Driver's firing mechanism. Faraway destroys the mechanism, causing the superweapon to implode and form a gravity well. His ship fails to escape the well's pull and loses power; however, Mason's spirit appears and restarts the Delta Saber, helping Faraway to escape. The post-credits scene shows Faraway and Bernstein, as they stand together on a revitalized Acheron.

Project Sylpheed Gameplay

In Project Sylpheed, players take on the role of a rookie pilot and fly the Delta Saber starfighter in a campaign that comprises 16 missions. Typical mission objectives are to destroy specific enemy targets and to protect allied ships. There are also optional secondary goals, such as completing certain tasks within a time limit or without taking damage. Completing the primary objectives within a time limit successfully completes a mission; failure to do so ends the game. If the player fails a mission several times in a row, the game offers an option to skip to the next stage.

Gauges at the bottom of the user interface show the shield strength and weapons ammunition. Figures at the top right show the number of enemies destroyed and time remaining to complete the mission. Red markers highlight enemies, who leave pink trails in their wake. Friendly crafts leave blue contrails, and missiles white.

Piloting the Delta Saber, the player engages distant enemies with missiles amidst a sea of colorful contrails

Players control the Delta Saber from a view as if they were in the cockpit, or a slight distance away from and outside the craft. The controller's thumbstick are used to fly the starfighter in any direction. By pressing the maneuver button and pushing the thumbstick in a direction, the player makes his or her fighter perform aileron rolls and 180-degrees turns (half-loops). Various button combinations control the Delta Saber's speed, allowing the craft to boost to great speeds with afterburners, coast on inertia without power, or match speed with a target. Certain maneuvers require the expenditure of shield energy, which protects starships from damage; an unshielded vessel under attack suffers damage to its armor. A ship is destroyed when its armor is depleted.

On starting a new campaign, the player receives a small selection of missiles, guns, beams, and bombs to mount on his or her ship. By accomplishing certain goals in the game, the player obtains advanced weaponry—possessing greater damage, range, and targeting abilities—for his or her spacecraft. He or she can also purchase more powerful equipment with the points gained by completing missions. These points are determined by factors such as the number of enemies destroyed, the time the mission is completed in, and the number of secondary objectives completed. Aside from functioning as a form of currency to purchase equipment, the points act as a score of the players' performance.

After completing a campaign, the player can replay it in a New Game Plus mode, restarting the new campaign with weapons and equipment gathered in the previous run. Besides the campaign, Project Sylpheed offers six standalone missions that are downloaded over Xbox Live. These missions, with goals such as killing as many enemies as possible within a time limit, provide online leaderboards for players to compare their scores against each other.

Reception
The 1980s was a period of fast growth for the video game industry. The shooter genre was enjoyed by gamers, who loved its fast paced action and high score boards that allowed them to compete with each other. Influential shooters, such as R-Type and Radiant Silvergun, revolutionized the genre by introducing new elements to the gameplay. Although not as innovative, Silpheed won critical acclaim and attracted a following by allowing players to customize their ships' weapons. The popularity of shooters began to wane in the 1990s as gamers turned their attention to video games that featured the latest technology—3D computer graphics. Members of the industry believed the genre was about to fade into obscurity or already in the throes of its demise. Project Sylpheed's announcement gave them pause and led them to wonder if the new game would rejuvenate the genre.

Project Sylpheed lets players fly starfighters and dogfight many enemies in the vastness of space; however, G4tv's reviewer, David Francis Smith, said that the game's designers had "no idea how to create structured, intelligible action in such a big area." Several of his colleagues agreed, finding the game flawed in the design of its missions. They were disappointed that most missions, in the words of Xbox World's Michael Gapper, tasked them to "fly, shoot, rearm, shoot more" endlessly. Reviewers were also irked that they were not informed about the secondary objectives in a mission; the goals were only revealed after the reviewers had completed them unawares. Further frustration arose from the fact that certain time limits were only displayed on nearing expiration. Other reviewers had no qualms with these flaws, stating that the intense dogfights more than compensate such shortcomings; Game Informer's Andrew Reiner wrote that the "rewarding quick-trigger combat and thrill of overcoming the worst of odds makes Project Sylpheed a memorable play for gamers who daydream of galaxies far, far away."

In Project Sylpheed, starfighters and missiles leave colorful contrails in their wake as they move through the void of space, and explode into fireballs when destroyed. The graphics impressed several critics; in his article for Play magazine, Dave Halverson called the game "by far the prettiest free-roaming shooter ever created". Other reviewers felt the effects were not outstanding; IGN's Erik Brudvig said the explosions looked like "bloody snot". Finding the maelstrom of color contrails distracting, Justin Hoeger wrote in his article for The Sacramento Bee that he was dogfighting "garish, neon-colored contrails" instead of enemy fighters, a sentiment shared by several others. Will Freeman of Videogamer.com, however, appreciated the contrails for filling the emptiness of space with "tangled webs of gently shimmering blue and red" and found them useful as "a way of tracking enemies".

Certain reviewers had negative experiences with the game caused by other factors. They had difficulty picking out enemies, which were small or fleeting targets because of their distance or speed, among a "haze of microscopic heads-up labels." Chris Dahlen of The A. V. Club criticized the game for forcing the player to constantly focus on the instruments to locate targets, thus breaking the illusion of dogfighting in a spacefighter. Other reviewers had a hard time with the game's controls, finding them too complex; however, those who mastered the controls could perform deft maneuvers with their starfighters. Another disappointment for reviewers was Project Sylpheed's failure to provide a game mode that they and their friends could play together online.

The weaving of a storyline with its missions made Project Sylpheed unique; shooters rarely did so. TeamXbox's Andy Eddy called the story "absolutely the best part of the game", and several of his colleagues agreed. The focus on relationships made it more complex and easier to relate to than those found in other shooters, and Halverson praised the game for lacing a "mission-based space opera" with "real emotion". Again, differing opinions are not uncommon; Hardcore Gamer's Thomas Wilde was disappointed to find the game akin to an exaggerated science-fiction soap opera. Others found the story clichéd and uninteresting, especially for those who have watched plenty of "Japanese video game drama". According to Dahlen, it is a "story of warring fleets of strippers and Muppet-boys determined to wipe each other out of the galaxy." Gapper wished that the story's cutscenes stop interrupting his enjoyment of shooting the enemies.

Overall, critical reactions of the game were varied; its features did not have universal appeal. Wilde argued that only rabid fans of the themes incorporated in Project Sylpheed would be interested in the game. His colleague, Geson Hatchett, felt the game would have been better as a rail shooter with 3D graphics. The general sentiment among reviewers was that Project Sylpheed could not spark a revival of interest in a long-dying genre regardless of whatever qualities it may have. Despite receiving such reactions, Project Sylpheed sold enough copies (as judged by Microsoft) in Japan within the first nine months of its release to become part of Xbox 360's Platinum Collection on November 1, 2007.


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