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Guitar Hero Smash Hits

Guitar Hero Smash Hits

Guitar Hero Smash Hits

Guitar Hero Smash Hits is a music rhythm game and the fourth expansion game to the Guitar Hero series. The game features 48 songs originally featured in five previous games in the series—Guitar Hero, Guitar Hero II, Guitar Hero Encore: Rocks the 80s, Guitar Hero III: Legends of Rock and Guitar Hero: Aerosmith—redesigning the songs to be based on master recordings and to include support for full band play first introduced to the series in Guitar Hero World Tour. The game was developed by Beenox, published by Activision and distributed by RedOctane for release on the PlayStation 2, PlayStation 3, Wii, and Xbox 360 systems and was released around the world in the second half of June 2009.

The game reuses many elements from previous titles in the series, including Guitar Hero World Tour and Guitar Hero: Metallica. Beenox designed the game around playing the greatest songs of the series at venues located in the greatest places on Earth, and created venues based on various Wonders of the World for the game. While the game's soundtrack and expansion into a four-player band were well received by reviewers, the game was highly criticized for being a full-cost standalone title instead of being downloadable content for existing games in the series.

Guitar Hero Smash Hits Gameplay

Guitar Hero: Smash Hits plays similar to Guitar Hero World Tour, featuring support for a four-instrument band: lead guitar, bass guitar, drums, and vocal. In addition to using master recordings for each song, the songs have been charted to use gameplay features introduced in World Tour including the open bass strumming & slider sections for intense solos using the touchpad on the guitar bundled with World Tour. Certain songs have been recharted or remixed to be more accessible to the full band; for example, "I Love Rock N Roll" includes a drum and vocals solo without guitar portions that were omitted in the original Guitar Hero, while the piano introduction in "Killer Queen" is tapped out by the lead guitar player. The game borrows gameplay and graphical elements from Guitar Hero: Metallica, including the "Expert+" difficulty level using two bass drum pedals and the rearrangement of on-screen meters for band mode. Smash Hits includes a Music Studio creation mode and is compatible with the "GHTunes" custom song sharing service present in World Tour and Metallica. Smash Hits also includes all the game modes present in World Tour, including single player and band career modes, and the eight-player "Battle of the Band" mode.

The game presents a story sequence that ties in with the Career mode, as has been present in more recent Guitar Hero games. In Smash Hits, the players are challenged by the "God of Rock" to play at venues at various Wonders of the World in order to charge a power artifact; it is revealed later that the God of Rock is actually Lou the Devil in disguise seeking the power of the artifact, the real God trapped by Lou. The player's band is able to discover Lou's deception and free the God of Rock; the band then rejects the God of Rock's offer of ascension to immortality, instead wanting to return to Earth to continue to rock. After completing each venue, the players earn venue-specific clothing to customize their avatars. The career mode follows the same star-tier system used in Metallica, requiring players to earn a fixed number of stars to proceed from one tier to the next. As with Guitar Hero: Metallica, all songs are available to play in Quickplay mode without unlocking them through the career mode.[5

Guitar Hero: Smash Hits received moderate praise from reviews, many of which cited that the game itself demonstrates the over-saturation of the music game market and the sheer number of titles with the Guitar Hero series that Activision has marketed. Chris Roper of IGN summarized that the game "is the definition of 'milking'", noting that, save for the PlayStation 2 version, all of the songs in the game could have been distributed as downloadable content or reused within other compatible titles. Jeff Gerstmann of Giant Bomb commented that "something about the game's full price tag doesn't quite feel right" and reaffirmed that being able to select a handful of the songs to play again would have been a preferred method of distribution. Tom Bramwell of Eurogamer further suggested that a simultaneous release of both the retail product and the same songs as downloadable content would have been an improvement. Chris Kohler of Wired listed Smash Hits on a list of "raw deals" for gamers, citing Activision's approach that results in "players end up paying more for segregated song lists", and contrasted the approach to that of the Rock Band series, in which downloadable content is integrated into existing games. Game Informer's Matt Helgeson noted that, ultimately, the cost per song was still cheaper than current prices for downloadable content, but he still felt the game's purpose was solely for "creating revenue for Activision".

The song selection, use of master recordings, and expansion to the full-band experience were praised. Dan Amrich of Official Xbox Magazine called the selection an "excellent selection of material" that avoided the most popular songs in favor of those that "are the most fun to play". Addition of full band tracking for the songs was considered helpful to avoid making the game's material feel like "warmed-over leftovers from the series' past", according to Gerstmann. The mixing of some of the songs was also considered to be off, with Roper specifically noting a too-loud bass and too-soft vocals for "No One Knows". Roper noted that the PlayStation 2 version of the game suffered from graphics "stuttering", making it difficult to hit notes even after refining the game's controller calibration, considering the impact as "crippling the game".

The game's note tracks were particularly analyzed and compared with the songs' previous versions in the older games. While the note-tracking has generally been improved to avoid "walls of notes"—long sections of fast-moving notes requiring significant skill to surpass—these patterns are significantly different from their previous incarnation and may take some getting used to. Roper also noted that the new features of Guitar Hero World Tour, particularly the use of "slider notes" that use either the World Tour touchpad or simple tapping without strumming on any other guitar controller's frets, makes many of the more difficult parts of the songs easily passed, requiring less technical skill to complete; Roper cited his ability to easily pass the first solo in what is considered to be the series' most difficult song, "Through the Fire and Flames" in Smash Hits while he could not pass this section on Guitar Hero III. In contrast, Abbie Heppe of G4 TV found the recreation of the note tracking to have "varying degrees of success", noting that while some of the guitar solos are more manageable, there were questionable sections in other songs arising from the nature of Star Power phrases when it was changed in Guitar Hero III. Gerstmann said that the difficulty of the non-lead guitar portions of the game was not as high as that of the lead guitar, primarily due to these songs' having been selected originally for being played by guitar controllers and not by a full band. Heppe suggests that some of these problems may be due to the farming out of the series to a different developer with no previous experience in the series. However, Bramwell was careful to note that Beenox Studios' effort on the game was strong, particularly with following the Guitar Hero: Metallica model, and their effort should not be dismissed due to how Activision chose to release the title.

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