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Spider-Man Comic Books

COMICS: 1-20 | 21-40 | 41-60 | 61-80 | 81-98
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Spider-Man # 1
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Spider-Man # 2
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Spider-Man # 3
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Spider-Man # 4
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Spider-Man # 5
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Spider-Man # 6
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Spider-Man # 7
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Spider-Man # 8
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Spider-Man # 9
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Spider-Man # 10
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Spider-Man # 11
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Spider-Man # 12
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Spider-Man # 13
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Spider-Man # 14
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Spider-Man # 15
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Spider-Man # 16
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Spider-Man # 17
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Spider-Man # 18
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Spider-Man # 19
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Spider-Man # 20
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Comic book cover browser Peter Parker: Spider-Man (originally titled simply Spider-Man until issue # 74), was a monthly comic book series published by Marvel Comics that ran for 98 issues from 1990-1998. The series was retitled Peter Parker: Spider-Man with issue #75, but only on the covers, the series was still under its original Spider-Man title in the comic's legal indicia, printed on the title page, from #75-98; the comic book would not officially be titled Peter Parker: Spider-Man until the volume 2 series relaunch.

The series originally was conceived as a showcase for Todd McFarlane. McFarlane, who until then had only been known as an artist, was hugely popular at the time and the series was created by editor Jim Salicrup so that McFarlane could pencil, ink, and write a Spider-Man title of his own, starting with the "Torment" storyline.

The series was a massive sales success with over 2.5 million copies printed. McFarlane stayed on the title until issue #16 (November 1991) in which the story was printed in a landscape format. He would go on to create the character Spawn and help found Image Comics in 1992. He was succeeded on the title by Erik Larsen, who had succeeded McFarlane on The Amazing Spider-Man two years earlier, and would later join him in the founding of Image. Larsen wrote and drew the six-issue story arc "Revenge of the Sinister Six" (#18-23). Writer Don McGregor and artist Marshall Rogers crafted a two-part story in issues #27-28 dealing with gun violence.

After that came a quick procession of different contributors, including writers Tom DeFalco, Ann Nocenti, David Michelinie, J. M. DeMatteis and Terry Kavanagh, and pencillers Ron Frenz, Klaus Janson and Jae Lee. The creative-team musical chairs settled with Spider-Man #44 (March 1994) when writer Howard Mackie and penciller Tom Lyle began a run on the title — Lyle through #61, and Mackie for over 6 years, through cancellation and into Vol. 2.

The series went on to play a key role throughout the Clone Saga, becoming one of two Spider-Man titles that shifted focus to the new Ben Reilly Scarlet Spider character with issue #51 (November 1994). The series' run was interrupted by that saga in issues #63 and 64 (Nov.-Dec. 1995), when the title was renumbered to #1 and renamed Scarlet Spider. Spider-Man resumed with #65 (Jan. 1996), with Ben Reilly replacing Peter Parker as Spider-Man.

Intended as a permanent change, Reilly's status as the new Spider-Man was cut short when Bob Harras was named new Editor-in-chief of Marvel Comics in February 1996, and ordered the reinstatement of the character's Peter Parker identity. Spider-Man was the title in which this was to and in #75 (December 1996), by Mackie and John Romita Jr., Ben Reilly was killed by the resurrected original Green Goblin — who had seemingly died in The Amazing Spider-Man #122 (July 1973) — and Peter Parker returned to the role of Spider-Man. That same issue, the title of the series was changed to Peter Parker: Spider-Man to concretely establish that the original Spider-Man was being depicted.

The series had a brief interlude in July 1997 with Marvel's one-month "Flashback" event, when all Marvel titles were numbered -1 and each was set before the events of Fantastic Four #1. This #-1 was published between issues #81 and 82. The series then continued uninterrupted until the arrival of John Byrne to the Spider-Man titles heralded a relaunch of the entire line. The book was cancelled with #98 (Dec. 1998) and relaunched as Vol. 2 almost immediately afterward.

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