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INTRODUCTION
FIRST DAY
Acting therapy — The Voice and The Life — The beginnings
SECOND DAY
Techniques — "Sing your life" - Teachers and masters — Grotowski and the company
THIRD DAY
Paratheatre — The Organic Life and the Process — Ryszard Cieślak
FOURTH DAY
The meeting with the unknown - Montage
FIFTH DAY
The "Body Alphabet"
IMAGES OF THE "BODY ALPHABET"
SIXTH DAY
The text — Organic and cultural differences — Voice as a vehicle
SEVENTH DAY
The attention — Necessity, organic process, nostalgia
EIGHTH DAY
The productions — Meeting Grotowski — The Teatr Laboratorium
NINETH DAY
Colleagues and collaborators
APPENDIX. GROTOWSKI THEATRE AND BEYOND
From Stanislavski to Grotowski — The Theatre of Productions (1959-1969) — Paratheatre (1970-1978), Theatre of Sources (1979-1982) and after
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Patrick Mcbride
reviewed Zygmunt Molik's Voice and Body Work: The Legacy of Jerzy Grotowski on May 30, 2020
Zygmunt Molik's Voice and Body Work: The Legacy of Jerzy Grotowski
This is probably one of the top options for learning how to behave professionally on a film or TV set. It's a very thick, large form paperback with a wealth of information, and is written very, very well by two strong, famous professionals, Erin Gray and Mara Purl.
I sometimes can be slow to read, however I got through all 370 pages in 2 days because it was written so smoothly and was truly fun to read.
The information ranges from where to go first when you arrive, to the importance of being able to repeat your steps and gestures exactly for the camera (called matching) to little tricks other actors might pull on you, so it's a great help to give a beginner some pointers others are unlikely to teach you.
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