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Book Categories |
A Methodological Note | ||
Acknowledgments | ||
Pt. 1 | Performing Every Day | |
1 | An Ethnographic Autobiography of Performance in Everyday Life | 3 |
2 | Naming Men: The Business of Performing Manly | 11 |
3 | Performing in the Classroom | 21 |
4 | Telling Tales | 33 |
5 | A Day's Talk | 46 |
Pt. 2 | On Writing and Performing | |
6 | The Poet and Performer Take Stage | 73 |
7 | Confessions of an Apprehensive Performer | 79 |
8 | The Audition | 88 |
9 | Becoming Another: A Love Song for J. Alfred Prufrock | 97 |
10 | Performance Is ... | 109 |
Pt. 3 | Being a Witness | |
11 | On Looking On | 115 |
12 | Doing the New York Scene | 127 |
13 | The DEF Comedy Jam, bell hooks, and Me | 135 |
14 | Moving Bodies in Space and Time | 147 |
15 | An Interview | 160 |
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Add Writing performance, Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of , Writing performance to the inventory that you are selling on WonderClubX
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Add Writing performance, Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of , Writing performance to your collection on WonderClub |