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Preface | ||
Note on Translations | ||
Abbreviations | ||
Introduction: Critical Discourse in Twentieth-Century China | 1 | |
1 | Dreaming a Cure for History: The Resistance to Historical Consciousness Within the May Fourth Movement | 31 |
2 | Rewriting Tradition, Misreading History: Twentieth-Century (Sub)versions of Pan Jinlian's Story | 56 |
3 | Revolution and Revulsion: Ideology, Monstrosity, and Phantasmagoria in 1930s Chinese Cinema | 81 |
4 | The Purloined Lantern: Maoist Semiotics and Public Discourse in Early PRC Film and Drama | 106 |
5 | A Blinding Red Light: The Displacement of Rhetoric in the Cinema of the Early 1980s | 131 |
6 | Disjointed Time, Split Voices: Retrieving Historical Experience in Scar Literature | 146 |
7 | Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery | 158 |
8 | The Aesthetics and Anesthetics of Memory: PRC Avant-Garde Fiction | 177 |
9 | Memory at a Standstill: From Maohistory to Hooligan History | 192 |
Epilogue | 207 | |
Notes | 211 | |
Bibliography | 237 | |
Index | 257 |
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