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Book Categories |
Forewords | ||
1 | Spectatorship and Capture in King Kong: The Guilty Look | 1 |
2 | The Kong Sequels | 29 |
3 | Birth of a Nation | 37 |
4 | Shirley Temple | 47 |
5 | Angel, Venus, Jezebel: Race and the Female Star in Three Thirties Films | 67 |
6 | Trimming Uncle Remus's Tales: Narrative Revisions in Walt Disney's Song of the South | 81 |
7 | Playing the Changes: St. Clair Bourne's In Motion: Amiri Baraka | 101 |
8 | Images of Blacks in Black Independent Films: A Brief Survey | 107 |
9 | "Black Independent Film": Britain and America | 121 |
10 | Mass Visual Productions | 131 |
Notes | 151 |
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Add White Screens/Black Images: Hollywood from the Dark Side, Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white , White Screens/Black Images: Hollywood from the Dark Side to the inventory that you are selling on WonderClubX
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Add White Screens/Black Images: Hollywood from the Dark Side, Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white , White Screens/Black Images: Hollywood from the Dark Side to your collection on WonderClub |