What Shall I Paint? : How to Find the Right Subject in Watercolor, Oils and Acrylics Book

I’m a great fan of O’Brian’s Aubrey/Maturin novels and of Napoleonic era naval fiction in general, and I looked forward to this film with a certain apprehension. I mean, how could they possibly do justice to O’Brian’s extremely detailed world? Would they just crank out a superficial action film? I’m not sure any devotée was entirely pleased with the result, but it was, in fact, a pretty damn good movie. And all the background information and photos in this book help explain why. Peter Weir, the director, was a fanatic on accurate historical detail, including small items you never see on camera (but the crew knows they’re there). He kept the entire cast together for the full five months of filming at the big tank in Baja, the same way a ship’s crew would be together every day of their lives. And he instituted hierarchy (with Russell Crowe at the top, naturally) even during the “boot camp” phase at the beginning of the project. And on and on. A fascinating look behind the scenes and into the minds of all the people responsible for the film. I winced every time they talked about the “cannon,” though.