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Introduction - Trash Aesthetics: Popular Culture and its Audience | 1 | |
1 | Taking the Extreme Case: Understanding a Fascist Fan of Judge Dredd | 14 |
2 | Regendered Reading: Tank Girl and Postmodernist Intertextuality | 31 |
3 | The Readers Feminism Doesn't See: Feminist Fans, Critics and Science Fiction | 48 |
4 | There's No Accounting for Taste: Exploitation Cinema and the Limits of Film Theory | 66 |
5 | Double Exposures: Observations on The Flesh and Blood Show | 84 |
6 | Faecal Phantoms: Oral and Anal Tensions in The Tingler | 103 |
7 | Seducing the Subject: Freddy Krueger, Popular Culture and the Nightmare on Elm Street Films | 118 |
8 | Cinematic Novels and 'Literary' Films: The Shining in the Context of the Modern Horror Film | 132 |
9 | 'It's Always 1895': Sherlock Holmes in Cyberspace | 143 |
Index | 162 |
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Add Trash aesthetics, 'Trash Aesthetics' covers a diverse range of films, from comic book adaptations, such as Tank Girl and Judge Dredd to genre horror movies, such as The Shining, and Nightmare on Elm Street. A concluding chapter explores the interaction of fan culture on th, Trash aesthetics to the inventory that you are selling on WonderClubX
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Add Trash aesthetics, 'Trash Aesthetics' covers a diverse range of films, from comic book adaptations, such as Tank Girl and Judge Dredd to genre horror movies, such as The Shining, and Nightmare on Elm Street. A concluding chapter explores the interaction of fan culture on th, Trash aesthetics to your collection on WonderClub |