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Introduction : the new immigrant writing | 1 | |
1 | Slavs of New York : Being there, Mr. Sammler's planet | 14 |
2 | Immigration and primal scene : Alvarez's How the Garcia girls lost their accents | 41 |
3 | Survival on the tangled bank : Hegi's The vision of Emma Blau and Mukherjee's Jasmine | 55 |
4 | Language, dreams, and art in Cristina Garcia's Dreaming in Cuban | 86 |
5 | Korean connection : Chang-rae Lee and company | 101 |
6 | Haitian Persephone : Danticat's Breath, eyes, memory | 126 |
7 | Assimilation and adolescence : Jamaica Kincaid's Lucy and Lan Cao's Monkey Bridge | 138 |
8 | Ethnicity as pentimento : Mylene Dressler's The Deadwood beetle | 160 |
9 | Immigration as Bardo : Wendy Law-Yone's The coffin tree | 172 |
10 | Closet and mask : Junot Diaz's Drown | 190 |
Conclusion : we, them, us | 205 |
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