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Book Categories |
Introduction | ||
Chronology | ||
Filmography | ||
An Elegy for a Land Rotting Away: Reconstruction | 3 | |
Unveiling the Patterns of Power: The Days of '36 | 9 | |
A Journey through Greek Landscape and History: The Travelling Players | 16 | |
Rhythms of Silence to Better Underline the Scream: The Hunters | 23 | |
Animating Dead Space and Dead Time: Megalexandros | 28 | |
The Growing of Tomatoes | 33 | |
A Withered Apple: Voyage to Cythera | 39 | |
Talking about The Beekeeper | 53 | |
Landscape in the Mist | 60 | |
Angelopoulos' Philosophy of Film | 66 | |
Silence Is as Meaningful as Any Dialogue: The Suspended Step of the Stork | 75 | |
National Culture and Individual Vision | 83 | |
Homer's Where the Heart Is: Ulysses' Gaze | 89 | |
The Human Experience in One Gaze: Ulysses' Gaze | 93 | |
The Time That Flows By: Eternity and a Day | 101 | |
The Time of His Life: Eternity and a Day | 113 | |
I Shoot the Way I Breathe: Eternity and a Day | 117 | |
... And about All the Rest | 123 | |
Index | 151 |
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Add Theo Angelopoulos : Interviews, Deeply rooted in the soil and culture of his native Greece, in its history, and in its contemporary political upheavals, Theo Angelopoulos (b. 1935) has chosen to make all his films, without exception, at home. Like Ingmar Bergman before him, he proved on, Theo Angelopoulos : Interviews to the inventory that you are selling on WonderClubX
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Add Theo Angelopoulos : Interviews, Deeply rooted in the soil and culture of his native Greece, in its history, and in its contemporary political upheavals, Theo Angelopoulos (b. 1935) has chosen to make all his films, without exception, at home. Like Ingmar Bergman before him, he proved on, Theo Angelopoulos : Interviews to your collection on WonderClub |