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| Acknowledgments | ||
| Introduction | ||
| I | History of Film Editing | 1 |
| 1 | The Silent Period | 3 |
| 2 | The Early Sound Film | 39 |
| 3 | The Influence of the Documentary | 53 |
| 4 | The Influence of the Popular Arts | 71 |
| 5 | Editors Who Became Directors | 81 |
| 6 | Experiments in Editing: Alfred Hitchcock | 97 |
| 7 | New Technologies | 110 |
| 8 | International Advances | 129 |
| 9 | The Influence of Television and Theatre | 149 |
| 10 | New Challenges to Filmic Narrative Conventions | 160 |
| II | Editing for the Genre | 179 |
| 11 | Action | 181 |
| 12 | Dialogue | 194 |
| 13 | Comedy | 207 |
| 14 | Documentary | 219 |
| 15 | Imaginative Documentary | 235 |
| 16 | Ideas and Sound | 243 |
| III | Principles of Editing | 253 |
| 17 | The Picture Edit and Continuity | 255 |
| 18 | The Picture Edit and Pace | 267 |
| 19 | The Sound Edit and Clarity | 277 |
| 20 | The Sound Edit and Creative Sound | 285 |
| 21 | Conclusion | 294 |
| Appendix A: Cutting Room Procedures | 296 | |
| Appendix B: Filmography | 298 | |
| Glossary | 308 | |
| Selected Bibliography | 318 | |
| Index | 321 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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