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Acknowledgments | ||
Introduction | 1 | |
1 | Beautiful and Pleasant Land: Culture and Cultural Change before Independence | 13 |
2 | Rascally Signs in Sacred Places: The Politics of Cultural Change in the Nineteenth Century | 54 |
3 | He Had an Odd Accent in Spanish: Culture and the Somoza Dictatorship | 107 |
4 | Anything but Flowers: Culture and Resistance to the Somoza Dictatorship | 151 |
5 | Culture as Revolution, Revolution as Culture: The Sandinista Cultural Project | 189 |
6 | Political Theories and Cultural Realities: Opposition to Sandinista Cultural Policy and Programs | 236 |
7 | Looting the Past: The Removal of Antiquities in the Nineteenth Century | 273 |
8 | A Prodigious Child of Nicaragua: Ruben Dario and the Ideological Uses of Cultural Capital | 313 |
9 | Ancestral Feats and Future Dreams: Sandino and the Politics of Culture | 344 |
10 | New Women and (Not So) New Men: Cultural Recalcitrance and the Politics of Gender | 383 |
Conclusion | 434 | |
Notes | 451 | |
Sources Cited | 511 | |
Index | 541 |
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Add The Politics of Culture in Nicaragua, David Whisnant provides a comprehensive analysis of the dynamic relationship between culture, power, and policy in Nicaragua over the last 450 years. Spanning a broad spectrum of popular and traditional expressive forms—including literature, music, film, , The Politics of Culture in Nicaragua to the inventory that you are selling on WonderClubX
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Add The Politics of Culture in Nicaragua, David Whisnant provides a comprehensive analysis of the dynamic relationship between culture, power, and policy in Nicaragua over the last 450 years. Spanning a broad spectrum of popular and traditional expressive forms—including literature, music, film, , The Politics of Culture in Nicaragua to your collection on WonderClub |