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The National Stage: Theatre and Cultural Legitimation in England, France, and America Book

The National Stage: Theatre and Cultural Legitimation in England, France, and America
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The National Stage: Theatre and Cultural Legitimation in England, France, and America, The idea of staging a nation dates from the Enlightenment, but the full force of the idea emerges only with the rise of mass politics. Comparing English, French, and American attempts to establish national theatres at moments of political crisis—from the , The National Stage: Theatre and Cultural Legitimation in England, France, and America
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  • The National Stage: Theatre and Cultural Legitimation in England, France, and America
  • Written by author Loren Kruger
  • Published by University of Chicago Press, 1992/05/01
  • The idea of staging a nation dates from the Enlightenment, but the full force of the idea emerges only with the rise of mass politics. Comparing English, French, and American attempts to establish national theatres at moments of political crisis—from the
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List of Illustrations Acknowledgments
1. Theatrical Nationhood and Popular Legitimation National Stage, Public Sphere From Ideological State Apparatus to Legitimate Institution Placing the Occasion: The Institution of Theatre Impure Autonomy and the Dramatic Text Hegemony High and Low: The Place of Popular Theatre
2. "Theatre to Contain a People"
National Popular Theatre in Republican France Theatre as "Rapprochement": Michelet and Popular Unity The People Advance: Social(ist) Theatre and Popular Sovereignty Theatre to Contain a People: The Orchestration of Rolland Danton on Display: The People in Attendance Theatre as Public Service
3. "Our National House": Patronizing the English National Theatre A National House for the Middle Class: Wilson to Arnold Barker's Schemes and Estimates for a National Patron Strife at Court: Staging National Reconciliation
"Our National House": Debates on a National Theatre
4. "A People's Theatre": Art, Democracy, and the Federal Theatre
"Theatre as a Weapon": The Dramaturgy of Class Struggle
"A Theatre Is Born": The Art of the Weapon
"The Greatest Achievement Is the Creation of an Audience"
"The Most Native Form": The Living Newspaper and the Nation Conclusion Notes Index


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The National Stage: Theatre and Cultural Legitimation in England, France, and America, The idea of staging a nation dates from the Enlightenment, but the full force of the idea emerges only with the rise of mass politics. Comparing English, French, and American attempts to establish national theatres at moments of political crisis—from the , The National Stage: Theatre and Cultural Legitimation in England, France, and America

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The National Stage: Theatre and Cultural Legitimation in England, France, and America, The idea of staging a nation dates from the Enlightenment, but the full force of the idea emerges only with the rise of mass politics. Comparing English, French, and American attempts to establish national theatres at moments of political crisis—from the , The National Stage: Theatre and Cultural Legitimation in England, France, and America

The National Stage: Theatre and Cultural Legitimation in England, France, and America

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The National Stage: Theatre and Cultural Legitimation in England, France, and America, The idea of staging a nation dates from the Enlightenment, but the full force of the idea emerges only with the rise of mass politics. Comparing English, French, and American attempts to establish national theatres at moments of political crisis—from the , The National Stage: Theatre and Cultural Legitimation in England, France, and America

The National Stage: Theatre and Cultural Legitimation in England, France, and America

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