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| Introduction | ||
| Acknowledgments | ||
| "Go Sound the Jubilee": Slave Narratives, William Wells Brown & Martin Delany | 4 | |
| "Uplifting the Race": Pauline E. Hopkins & Paul Laurence Dunbar | 27 | |
| "The Most Treasured Heritage of the American Negro": James Weldon Johnson | 58 | |
| "Their Joy Runs, Bang! Into Ecstasy": Langston Hughes, Claude McKay & Zora Neale Hurston | 73 | |
| "Not Many People Ever Really Hear It": Richard Wright, Ann Petry & James Baldwin | 118 | |
| "The Brother Does Not [Does] Sing": Ralph Ellison | 156 | |
| "There Must Be Some People Who Lived For Music": Margaret Walker & William Melvin Kelley | 186 | |
| "The Sound Baked Inside Their Heads":Amiri Baraka & Henry Dumas | 202 | |
| Coda: "What Good Is a Liturgy Without a Text?" | 223 | |
| Selected Bibliography | 231 | |
| Selected Discography | 245 | |
| Index | 249 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Angel Hernandez
reviewed The music in African American fiction on December 31, 2019
The music in African American fiction
Gives good background and history
and then interesting analysis on the way the city came to be a dystopia in african american fiction
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Add The music in African American fiction, This is the first comprehensive historical analysis of how black music and musicians have been represented in the fiction of African American writers. It moves from the nineteenth century through the Harlem Renaissance to the 1960s and the Black Arts Move, The music in African American fiction to the inventory that you are selling on WonderClubX
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Add The music in African American fiction, This is the first comprehensive historical analysis of how black music and musicians have been represented in the fiction of African American writers. It moves from the nineteenth century through the Harlem Renaissance to the 1960s and the Black Arts Move, The music in African American fiction to your collection on WonderClub |