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Preface | vii | |
Introduction | 1 | |
Part I | Samuel's Initiation: On the Possibility of Biblical Theatre | 13 |
Part II | Female Presentations: Oppressed and Liberated | |
1 | The Concubine in Gibeah: the Female Body as a Stage-prop | 41 |
2 | Deborah: Anti-Feminism in Text and Stage Directions | 53 |
3 | Tamar: Acting-out a Role Imposed | 72 |
4 | Ruth: the Shrew-ing of the Tame | 83 |
5 | Esther and the Head of the Sceptre | 104 |
Part III | Women and Men, Physics and Metaphysics | |
6 | "The Voice of my Beloved Knocketh" | 117 |
7 | The Educational Theatre of Proverbs | 135 |
Part IV | Prophets as Performers | |
8 | Elisha: Religion, Sex and Miracles | 145 |
9 | Jonah: a Quest Play | 161 |
10 | Ezekiel: the Holy Actor | 173 |
Part V | Leaders: A Theatrical Gaze | |
11 | Moses in Flesh and Spirit | 205 |
12 | Jehu's Bloody Show | 216 |
13 | The (Unabridged) Play of David and Bathsheba | 233 |
Notes | 254 | |
Index | 266 |
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Add The Bible as Theatre, Parts of the Bible, such as the Book of Job, have long been regarded as dramatic texts on a par with a Greek tragedy. But Shimon Levy's approach opens up a vast field of analysis. That is not to say that he thinks these texts can be performed without ada, The Bible as Theatre to the inventory that you are selling on WonderClubX
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Add The Bible as Theatre, Parts of the Bible, such as the Book of Job, have long been regarded as dramatic texts on a par with a Greek tragedy. But Shimon Levy's approach opens up a vast field of analysis. That is not to say that he thinks these texts can be performed without ada, The Bible as Theatre to your collection on WonderClub |