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Family tree | 3 | |
Saman | 5 | |
Weeping willow | 7 | |
Maple, oak, or elm | 9 | |
Arborvitae | 11 | |
Locust | 13 | |
Last trees | 15 | |
Intimations of mortality from a recollection in early childhood | 19 | |
Anger & art | 21 | |
El fotografo | 23 | |
The red pickup | 25 | |
Spic | 27 | |
All-American girl | 29 | |
Bellevue | 31 | |
Abbot Academy | 33 | |
By accident | 35 | |
Vain doubts | 37 | |
First muse | 39 | |
Lunch hour, 1971 | 41 | |
Heartland | 43 | |
Bad-weather friends | 45 | |
Sisterhoods | 47 | |
Reunion | 49 | |
My bottom line | 51 | |
Love portions | 53 | |
Fights | 55 | |
Tone | 57 | |
Hairbands | 59 | |
Manholes | 61 | |
Canons | 63 | |
My kind of woman | 65 | |
Museo del Hombre | 67 | |
Ars politica | 69 | |
Naming the animals | 71 | |
The animals review pictures of a vanished race | 73 | |
Why don't we ever see Jesus laughing? | 75 | |
Addison's vision | 77 | |
Winter storm | 79 | |
The therapist | 81 | |
Disappearing | 83 | |
Gaining my self back | 85 | |
That moment | 87 | |
Signs | 89 | |
Deathdays | 91 | |
All's clear | 93 | |
Now, when I look at women | 95 | |
At the GYN | 97 | |
Grand baby | 99 | |
Life lines | 101 | |
Spring, at last! | 103 | |
Regreso | 105 | |
In Spanish | 107 | |
You | 109 | |
Leaving English | 111 | |
Meditation | 113 | |
Aficionados | 115 | |
Touching bottom | 117 | |
Cleaning ladies | 119 | |
Tom | 121 | |
I dream of Allen Ginsberg | 123 | |
Famous poet, years afterward | 125 | |
Why I teach | 127 | |
Undercover poet | 129 | |
Small portions | 131 | |
"Poetry makes nothing happen"? | 133 | |
Reading for pleasure | 135 | |
Direct address | 137 | |
Passing on | 139 | |
El sereno | 143 | |
Looking up | 145 | |
What we ask for | 147 | |
What was it that I wanted? | 149 | |
Keeping watch | 151 | |
Why I write | 153 | |
Did I redeem myself? | 155 |
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Add The Woman I Kept to Myself, The works of award-winning poet and novelist Julia Alvarez are rich with the language and influences of two cultures: the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped, The Woman I Kept to Myself to the inventory that you are selling on WonderClubX
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Add The Woman I Kept to Myself, The works of award-winning poet and novelist Julia Alvarez are rich with the language and influences of two cultures: the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped, The Woman I Kept to Myself to your collection on WonderClub |