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Pt. I | An ethics of action | |
1 | Introduction | 11 |
2 | Boiardo, Orlando Innamorato, book one (1482-3) : romance | 15 |
3 | Orlando Innamorato, book two (1482-3) : history | 34 |
4 | Orlando Innamorato, book three (1495) : epic | 45 |
Pt. II | Creative imitation | |
5 | Introduction | 69 |
6 | Cieco da Ferrara, Il Mambriano (1509) | 74 |
7 | Ariosto, Orlando Furioso (1516) : didactic allegory | 82 |
8 | Ariosto, Orlando Furioso (1516) : Novellas of civic virtue | 99 |
9 | Ariosto, Cinque canti (composed c. 1519-21) | 126 |
10 | Ariosto, Orlando Furioso (1532) | 134 |
Pt. III | The triumph of romance | |
11 | Introduction | 155 |
12 | Trissino, L'Italia liberata da' Goti (1547-8) | 158 |
13 | Bernardo Tasso, L'Amadigi (1560) | 170 |
14 | Torquato Tasso, II Rinaldo (1562) | 178 |
15 | Torquato Tasso, La Gerusalemme Liberata (1581) | 186 |
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Add The Romance Epics of Boiardo, Ariosto, and Tasso: From Public Duty to Private Pleasure, In The Romance Epics of Boiardo, Ariosto, and Tasso, Jo Ann Cavallo attempts a new interpretation of the history of the renaissance romance epic in northern Italy, focusing on the period's three major chivalric poets. Cavallo challenges previous cr, The Romance Epics of Boiardo, Ariosto, and Tasso: From Public Duty to Private Pleasure to the inventory that you are selling on WonderClubX
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Add The Romance Epics of Boiardo, Ariosto, and Tasso: From Public Duty to Private Pleasure, In The Romance Epics of Boiardo, Ariosto, and Tasso, Jo Ann Cavallo attempts a new interpretation of the history of the renaissance romance epic in northern Italy, focusing on the period's three major chivalric poets. Cavallo challenges previous cr, The Romance Epics of Boiardo, Ariosto, and Tasso: From Public Duty to Private Pleasure to your collection on WonderClub |