The Genesis of Kant's Critique of Judgment Book

	Acknowledgments
	Introduction	1
Pt. 1	The Genesis of the "Critique of Aesthetic Judgment"
1	Kant and the Pursuit of Aufklarung	17
2	Kant's Return to Aesthetics: Transcendental Arguments and the "Critique of Taste"	45
3	Validity and Actuality: Toward Kant's Phenomenology of Subjective Consciousness	64
4	The Transcendental Grounding of Taste: Purpose and Pleasure	89
5	The Beautiful and the Pleasant: Kant's Transcendental Deduction of Taste	106
6	Kant's Philosophy of Art in the Year 1788	124
Pt. 2	The Genesis of the "Critique of Teleological Judgment"
7	The Cognitive Turn: The Discovery of Reflective Judgment	151
8	The Contextual Origins of Kant's Critique of Contemporary Science	178
9	Kant against Eighteenth-Century Hylozoism	189
10	The Problem of Organic Form in the "Critique of Teleological Judgment"	214
11	The Pantheism Controversy and the Third Critique	228
12	Kant's Attack on Spinoza in the "Dialectic of Teleological Judgment"	248
Pt. 3	The Final Form of the Critique of Judgment
13	The Ethical Turn in Kant's Critique of Judgment	263
14	The Sublime, the Symbolic, and Man's "Supersensible Destination"	269
15	Aesthetics As the Key to Anthropology: Lebensgefuhl and Geistegefuhl	292
16	The Unity of Man: Man As an "End-in-Himself"	306
17	The Unity of Mankind: The Highest Good, History, and Religion	323
	Conclusion: The Ultimate Meaning of the Third Critique	342
	Notes	347
	Bibliography	427
	Index	455