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Acknowledgments ix
Prologue 1
Introduction 9
1 The Art of the State: Inventing Philippine Folkloric Forms (Manila, 1934) 29
2 "Take It from the People": Dancing Diplomats and Cultural Authenticity (Brussels, 1958) 62
3 Dancing into Oblivion: The Filipino Cultural Night (Los Angeles, 1983) 89
4 Repetitive Motion: The Mechanics of Reverse Exile (San Francisco, 1993) 112
5 Making a Mockery of Everything We Hold True and Dear: Exploring Parody with Tongue in a Mood's PCN Salute (San Francisco, 1997) 127
Conclusion 141
Epilogue: Memoria 148
Notes 151
Bibliography 185
Index 211
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
John Edwards
reviewed The Day the Dancers Stayed: Performing in the Filipino/American Diaspora on September 06, 2016
The Day the Dancers Stayed
Didn't finish the book. Very dry. However, it began with a good look at Malaysian nationalism and the revisionist nationalistic history teaches and how that spreads the system of racial and religious prejudice that runs the country.
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Add The Day the Dancers Stayed: Performing in the Filipino/American Diaspora, Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances-and parodies of them-these celebrations of national identity through music, dance, and , The Day the Dancers Stayed: Performing in the Filipino/American Diaspora to the inventory that you are selling on WonderClubX
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Add The Day the Dancers Stayed: Performing in the Filipino/American Diaspora, Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances-and parodies of them-these celebrations of national identity through music, dance, and , The Day the Dancers Stayed: Performing in the Filipino/American Diaspora to your collection on WonderClub |
