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Foreword | ||
Translator's Note | ||
Acknowledgments | ||
The Art of Music | 1 | |
A Critical Study of Beethoven's Nine Symphonies | 9 | |
A Few Words about the Trios and Sonatas of Beethoven | 38 | |
Fidelio | 41 | |
Beethoven in the Rings of Saturn | 53 | |
The Emoluments of Singers | 57 | |
The Current State of the Art of Singing | 58 | |
Good Singers and Bad | 69 | |
Gluck's Orphee | 71 | |
Lines Written Soon after the First Performance of Orphee at the Theatre-Lyrique | 82 | |
The Alceste of Euripides and Those of Quinault and Calzabigi | 88 | |
The Revival of Gluck's Alceste at the Opera | 136 | |
Instruments Added by Modern Composers to the Scores of Old Masters | 148 | |
High and Low Sounds | 150 | |
Der Freischutz | 152 | |
Oberon | 156 | |
Abu-Hassan; The Abduction from the Seraglio | 166 | |
The Method Discovered by M. Delsarte for Tuning Instruments | 170 | |
On Church Music | 172 | |
Musical Customs of China | 176 | |
Letter to the Academy of Fine Arts of the Institute | 180 | |
The Rise in Concert Pitch | 193 | |
The End Is Near | 200 | |
The Richard Wagner Concerts | 202 | |
Sunt Lacrymae Rerum | 210 | |
The Symphonies of H. Reber; Stephen Heller | 213 | |
Romeo and Juliet | 219 | |
Concerning a Ballet Based on Faust | 228 | |
To Be Or Not to Be | 229 | |
Appendix: The Lapdog School | 231 | |
Notes | 232 | |
Index | 270 |
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