Tapestries: Their Origin, History And Renaissance (1912) Book

For a long time, I’ve been searching for a book exactly like this one. Somewhat embarrassed by my ignorance of math, I wanted to relearn what I had forgotten in college, and perhaps go further. But I didn’t want to simply learn math; I wanted to learn its history, how it shaped and was shaped by the cultures in which it grew. This is a tall order, requiring both historical and mathematical understanding; but Kline is equal (or, perhaps, almost equal) to the task.

Before I get into the positive qualities of this book, I should note its flaws. As another reviewer pointed out, Kline’s beginning chapter on history is inept, even offensive. He heaps praise upon praise when describing the accomplishments of the Greeks, and dismisses the contributions of the Arabs, Babylonians, Egyptians, and Indians with a wave of the hand. He even relays the story of the Muslims destroying the Library of Alexandria, which historians have seen fit to doubt as far back as Edward Gibbon. For Kline, mathematics made a brilliant beginning with the Greeks, and then stayed more or less the same until the Enlightenment. The extent to which that is true, I know not; but it at least seems unlikely to me.

Thankfully, the book gets markedly better after that. (One shouldn’t judge a book by the cover, or even the first chapter, apparently.) For, whatever Kline lacks as a historian, he makes up as a pedagogue. Kline doesn’t simply move from arithmetic to geometry to algebra to trigonometry, but instead situates every subject within a specific historical period and practical problem. For example, he teaches trigonometry by using the kind of problems that the Alexandrian Greeks, such as Ptolemy and Eratosthenes, were tackling: the distance from the earth to the moon, the radius of the earth, the establishment of longitude and latitude. Every chapter comes with biographical sketches of the major thinkers involved, as well as some practical problem that the mathematical theory would solve.

Following this procedure, Kline manages to take the most abstract of all abstract subjects, and to make it exquisitely human. In school, we are taught trigonometry by showing us how to plug numbers into a calculator. Kline shows us that trigonometry allows us to chart the earth, and to map the skies. We encounter Newton measuring the refraction of light, and Galileo plotting the course of cannonballs. We learn how sinusoidal motion allows us to quantify time, and how the Renaissance painters invented projective geometry in their attempt to create realistic perspective.

In sum, Kline shows mathematics for what it is: a tremendously exciting intellectual endeavor—one that has expanded our knowledge of the universe immeasurably. Math is not born of the dreams of philosophers (at least, not exclusively), but has been, and continues to be, integral to the solution of everyday problems. It’s curious that something only accessible to the mind allows us to make sense of our senses. In short, Kline has given me the greatest gift a teacher can give—not knowledge, but curiosity.